زخارف السقف الخشبي لمسجد الوحش بمديرية وصاب العالي (737هـ): دراسة فنية.

This research presents a comprehensive archaeological and artistic study of the Al-Wahsh Mosque in Al-Dhari village, Wesab Al-Ali district, Dhamar Governorate, with a focus on its intricately decorated wooden ceiling—one of Yemen’s most distinguished surviving examples from the eighth century AH/fou...

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Publicado en:Arts Magazine Vol. 13; no. 3; pp. 1020 - 1067
Autor principal: صلاح احمد صلاح ا&#1604
Formato: Artículo
Publicado: Thamar University Sep2025
Materias:
Acceso en línea:Ver este registro en EBSCOhost
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      dt: Sep2025
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        atl: زخارف السقف الخشبي لمسجد الوحش بمديرية وصاب العالي (737هـ): دراسة فنية.
      aug:
        au: صلاح احمد صلاح ا&#1604
        affil: أستاذ الآثار الإسلامية المساعد - قسم الآثار - كلية الآداب - جامعة ذمار - الجمهورية اليمنية. .
      su:
        Decoration & ornament
        Islamic art & symbolism
        Cultural property
        Ceilings
        Mosques
        Archaeological excavations
        Conservation & restoration
        Yemen (Republic)
      sug:
        subj:
          Yemen (Republic)
          Decoration & ornament
          Islamic art & symbolism
          Cultural property
          Ceilings
          Mosques
          Archaeological excavations
          Conservation & restoration
      keyword:
        Al-Wahsh Mosque
        Islamic Inscription
        Mosque Decorations
        Wooden Ceilings
        Yemeni Mosques
        الأسقف الخشبية
        الكتابات الإسلامية
        زخارف المساجد
        مساجد اليمن
        مسجد الوحش
      ab: This research presents a comprehensive archaeological and artistic study of the Al-Wahsh Mosque in Al-Dhari village, Wesab Al-Ali district, Dhamar Governorate, with a focus on its intricately decorated wooden ceiling—one of Yemen’s most distinguished surviving examples from the eighth century AH/fourteenth century AD. Through field surveys and detailed technical analysis, the study explores the ceiling’s architectural and ornamental features, examines 45 inscribed texts, and investigates the materials and techniques used in its construction. The findings reveal that the ceiling serves both structural and symbolic purposes, adorned with vibrant geometric and floral motifs, Quranic verses, and monotheistic invocations rendered in a vernacular script akin to a rudimentary Thuluth style. As a visual archive of Yemen’s woodcraft and calligraphic traditions, the ceiling embodies the distinctiveness of local artistic expression shaped by broader Islamic influences, underscoring its cultural significance and the urgent need for its preservation.
      pubtype: Academic Journal
      doctype: Article
      src: R
    language: Arabic
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          year: 2025
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