The Fermented Subject: Bodily Survival and Kinship-Building in Grace M. Cho's Tastes Like War.

This paper close-reads Grace M. Cho's memoir Tastes Like War to describe an Asian American subjectivity that is fermented under the pressures of immigration, assimilation, and Americanization. This fermented subjectivity is analyzed through the experiences of Korean military brides like Cho's mother...

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Bibliographic Details
Published in:WSQ: Women's Studies Quarterly Vol. 53; no. 3/4; pp. 177 - 193
Main Author: Jurado, Aimee N.
Format: Article
Published: Feminist Press at CUNY Fall/Winter2025
Subjects:
Online Access:View this record in EBSCOhost
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      dt: Fall/Winter2025
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      pub: Feminist Press at CUNY
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        10.1353/wsq.2025.a972627
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        atl: The Fermented Subject: Bodily Survival and Kinship-Building in Grace M. Cho's Tastes Like War.
      aug:
        au: Jurado, Aimee N.
        affil: PhD candidate at the University of California, San Diego
      su:
        United States
        Asian Americans
        Cultural assimilation
        Emigration & immigration
        Koreans
        Memoirs
        Psychological resilience
        Subjectivity
      sug:
        subj:
          Asian Americans
          Cultural assimilation
          Emigration & immigration
          United States
          Koreans
          Memoirs
          Psychological resilience
          Subjectivity
      keyword:
        Americanization
        Asian American identity
        assimilation
        fermentation
        immigration
        Korean War
        Americanization
        Asian American identity
        assimilation
        fermentation
        immigration
        Korean War
      ab: This paper close-reads Grace M. Cho's memoir Tastes Like War to describe an Asian American subjectivity that is fermented under the pressures of immigration, assimilation, and Americanization. This fermented subjectivity is analyzed through the experiences of Korean military brides like Cho's mother, Koonja, whose integration into U.S. society in the twentieth century exemplifies a specific transformation of the Korean body, its identification, and its use. The fermented subject describes one whose subjectivity holds a past and present form simultaneously, while also remaining expansive and in flux. As such, Asian American assimilation is punctuated by the persistence and resiliency of the fermented subject.
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      doctype: Article
      src: R
    language: English
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