CYBERFEMINISM: PHILOSOPHICAL REFLECTION ON GENDER, TECHNOLOGY, AND DIGITAL SUBJECTIVITY.

Cyberfeminism, emerging in the late 20th century, represents a critical theoretical and practical engagement with the intersections of gender and digital technology. It challenges both patriarchal structures embedded in technological development and the philosophical assumptions underlying human --...

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Publicado en:Humanities Studies Vol. 24; no. 101; pp. 162 - 168
Autor principal: KHVOINYTSKA-PEREIMA, KHRYSTYNA
Formato: Artículo
Publicado: Zaporizhzhe State Engineering Academy 2025
Materias:
Acceso en línea:Ver este registro en EBSCOhost
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        atl: CYBERFEMINISM: PHILOSOPHICAL REFLECTION ON GENDER, TECHNOLOGY, AND DIGITAL SUBJECTIVITY.
      aug:
        au: KHVOINYTSKA-PEREIMA, KHRYSTYNA
        affil: Lviv National University «Lviv Polytechnic» (Lviv, Ukraine)
      su:
        Gender
        Posthumanism
        Digital media
        Haraway, Donna Jeanne 1944-
        Social theory
        Postfeminism
        Power (Social sciences)
        Identity (Psychology)
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        subj:
          Gender
          Posthumanism
          Digital media
          Haraway, Donna Jeanne 1944-
          Social theory
          Postfeminism
          Power (Social sciences)
          Identity (Psychology)
      keyword:
        cyberfeminism
        feminism
        philosophy
        spirituality
        technology
        values
        духовність
        кіберфемінізм
        технології
        фемінізм
        філософія
        цінності
      ab: Cyberfeminism, emerging in the late 20th century, represents a critical theoretical and practical engagement with the intersections of gender and digital technology. It challenges both patriarchal structures embedded in technological development and the philosophical assumptions underlying human -- machine relations. This article explores cyberfeminism as a philosophical discourse, examining its epistemological, ontological, and political dimensions. Special attention is given to the tension between essentialist and posthumanist interpretations of cyberfeminism, as well as its implications for digital subjectivity, embodiment, and power relations in cyberspace. Cyberfeminism represents a critical intersection of feminist philosophy, technology, and digital culture, offering new ways of theorizing identity, embodiment, and power in the information age. This article examines the philosophical foundations of cyberfeminism, tracing its emergence from postmodern feminist thought and its engagement with questions of technoscience, subjectivity, and the politics of cyberspace. Particular attention is given to the ways cyberfeminist theory challenges essentialist notions of gender, destabilizes traditional dualisms between human and machine, and reimagines the possibilities of agency in virtual environments. By analyzing the contributions of thinkers such as Donna Haraway and later developments in third-wave feminist discourse, the paper explores how cyberfeminism not only critiques the gendered structures of technological production but also envisions emancipatory potentials within digital culture. Ultimately, the study argues that cyberfeminism constitutes a transformative philosophical framework for understanding the entanglement of gender and technology in contemporary society. The research objectives: explore the ideas and basic foundation of cyberfeminist ideas. Make an attempt to penetrate into the hidden foundations of these ideas. Also, make an attempt at a comparative analysis of a number of feminist and philosophical teachings. Research methodology. Teaching the ideas of feminism and cyberfeminism is complex and multifaceted. A comprehensive, systematic approach is required to analyze this topic. Therefore, a number of methods were used in this study: induction, deduction, historicism and the systemic method. Connection with previous studies. The problem of cyberfeminism is of interest to a large number of scientists. We find research data in the scientific works of such scientists as: Shoshana Zuboff, Mary Flanagan, Austin Booth, Marie Hicks and many other researchers. However, this topic remains an inexhaustible source of versatility for new philosophical research.
      pubtype: Academic Journal
      doctype: Article
      src: R
    language: English
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      custom: Copyright of Humanities Studies is the property of Zaporizhzhe State Engineering Academy and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use.
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