"Like Similies": Aemilia Lanyer's Poetics of Intimacy.

This essay reassesses Aemilia Lanyer's "The Description of Cooke-ham" to propose a new account of the relationship between intimacy and textual minutiae. From her positioning of "Cooke-ham" as a quasi-paratextual appendage within Salve Deus Rex Judaeorum to her more granular formal choices, Lanyer r...

Descripción completa

Detalles Bibliográficos
Publicado en:Modern Philology Vol. 123; no. 2; pp. 151 - 178
Autor principal: Sureshbabu, Arya
Formato: Artículo
Publicado: University of Chicago Press Nov2025
Materias:
Acceso en línea:Ver este registro en EBSCOhost
fields @attributes:
  recordID: 1
pdfLink:
plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=188806110&site=ehost-live
header:
  @attributes:
    shortDbName: hlh
    uiTerm: 188806110
    longDbName: Humanities International Complete
    uiTag: AN
  controlInfo:
    bkinfo:
    jinfo:
      jid:
        00268232
        MPH
      jtl: Modern Philology
      issn: 00268232
      maglogo: N
    pubinfo:
      dt: Nov2025
      vid: 123
      iid: 2
      pid: 415
      pub: University of Chicago Press
    artinfo:
      ui:
        188806110
        10.1086/736805
      ppf: 151
      ppct: 27
      formats:
      tig:
        atl: "Like Similies": Aemilia Lanyer's Poetics of Intimacy.
      aug:
        au: Sureshbabu, Arya
        affil: University of California, Berkeley
      su:
        Lanyer, Aemilia, 1569-1645
        Intimacy (Psychology)
        Salve Deus Rex Judaeorum (Poem : Lanyer)
        Poetics
        Literary explication
      sug:
        subj:
          Lanyer, Aemilia, 1569-1645
          Intimacy (Psychology)
          Salve Deus Rex Judaeorum (Poem : Lanyer)
          Poetics
          Literary explication
      ab: This essay reassesses Aemilia Lanyer's "The Description of Cooke-ham" to propose a new account of the relationship between intimacy and textual minutiae. From her positioning of "Cooke-ham" as a quasi-paratextual appendage within Salve Deus Rex Judaeorum to her more granular formal choices, Lanyer refuses to let readers overlook constructions they may be tempted to flag as superfluous. Her craftsmanlike attention to minor effects models an effortful intimacy, which she theorizes most flagrantly through her experiments with the simile: a figure of speech that works in a minor key, forging links that are simultaneously transparent and tentative. The multivalently intimate logic of the simile surfaces repeatedly in "Cooke-ham," both in literal similes and across a range of simile-like constructions, including chiastic lines that combine repetition with reversal, double syntax that allows us to unfold the same sentence in two different ways, and descriptions of love triangles that scramble their agents into unexpected configurations. While scholarship on Lanyer typically charts how her texts grapple with class hierarchy through her bids for patronage, the simile and its attendant intimacies make possible a series of extrahierarchical relationships between Lanyer, the noblewomen she addresses, and her readers. Interpreting Lanyer's poetics from the inside out unveils a mode of connection that does not rest on simply eliding class difference in favor of gendered similitude. Rather, her poetry prompts us to develop an understanding of intimacy that hinges on close reading.
      pubtype: Academic Journal
      doctype: Article
      src: R
    language: English
    refInfo:
    copyright:
      @attributes:
        flag: Y
      dt:
        @attributes:
          year: 2025
    holdings:
      @attributes:
        islocal: N