Manga and militarism: rehabilitating military violence in Japan.

There is an impasse in Japan's security debate. Realists emphasise defence build-up programmes and policy reforms that are cumulatively developing Japan's autonomous security capabilities to argue Japan is remilitarising; and normative constructivists emphasise a 'culture of antimilitarism' to argue...

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Publicado en:Pacific Review Vol. 38; no. 6; pp. 1110 - 1139
Autor principal: Warrack, Max
Formato: Artículo
Publicado: Taylor & Francis Ltd Nov2025
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Acceso en línea:Ver este registro en EBSCOhost
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      dt: Nov2025
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        10.1080/09512748.2025.2484343
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        atl: Manga and militarism: rehabilitating military violence in Japan.
      aug:
        au: Warrack, Max
        affil: Department of Politics and International Studies, University of Warwick Coventry, United Kingdom
      su:
        Manga (Art)
        Militarism
        Military policy
        Violence
        Military personnel
        Military culture
        Japanese civilization
        Japan
      sug:
        subj:
          Japan
          Manga (Art)
          Militarism
          Military policy
          Violence
          Military personnel
          Military culture
          Japanese civilization
      keyword:
        International security
        manga
        militarism
        new Durkheim
        popular culture and politics
      ab: There is an impasse in Japan's security debate. Realists emphasise defence build-up programmes and policy reforms that are cumulatively developing Japan's autonomous security capabilities to argue Japan is remilitarising; and normative constructivists emphasise a 'culture of antimilitarism' to argue it is not really remilitarising. This article explores a route through this impasse by flipping the premise on which it rests: that Japan's culture resists remilitarisation. It investigates manga (Japanese comics) that positively portray the Japan Self-Defense Force (JSDF) enacting violence. Through a content analysis of these manga, it identifies three patterns of violence: constrained, frantic, and dominant, that frame JSDF violence as a legitimate tool of statecraft. They represent an interpretive challenge to the antimilitarist societal consensus; one this article outlines using Jeffrey Alexander's New Durkheimian conceptualisation of civil society. The article traces the industry-origins of these manga and illustrates (pun intended) how they disrupt the 'culture of antimilitarism'. The article outlines a process of 'cultural remilitarisation' connected to Japan's most prominent medium, presenting a cultural explanation for Japan's post-Cold War security trajectory; and introducing nuance to a key premise of the Japan security debate: Japan's culture can support and encourage, as well as resist, remilitarisation.
      pubtype: Academic Journal
      doctype: Article
      src: R
    language: English
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