LIKE A HOUND UPON ITS QUARRY: NOBLE ANIMALS AS ELEMENTS OF KNIGHTLY MATERIAL CULTURE, CA. 1350–1425.

This paper offers an assessment of why animals fit into the ontology of the late medieval knight’s material world. Animals—living, represented, heraldic, funerary, and metaphorical—were seen as possessions of, and creations produced by and for, their masters. Although horses and hawks were a reifica...

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Publicado en:Comitatus: A Journal of Medieval & Renaissance Studies Vol. 56; pp. 159 - 191
Autor principal: Williamson, Robert
Formato: Artículo
Publicado: University of California at Los Angeles, Center for Medieval & Renaissance Studies 2025
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Acceso en línea:Ver este registro en EBSCOhost
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      dt: 2025
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      pub: University of California at Los Angeles, Center for Medieval & Renaissance Studies
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        10.1353/cjm.2025.a972545
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        atl: LIKE A HOUND UPON ITS QUARRY: NOBLE ANIMALS AS ELEMENTS OF KNIGHTLY MATERIAL CULTURE, CA. 1350–1425.
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        au: Williamson, Robert
      su:
        Material culture
        Ontology
        Masculinity
        Metonyms
        Social bonds
      sug:
        subj:
          Material culture
          Ontology
          Masculinity
          Metonyms
          Social bonds
      keyword:
        animals
        armor
        culture
        dogs
        masculinity
        materiality
      ab: This paper offers an assessment of why animals fit into the ontology of the late medieval knight’s material world. Animals—living, represented, heraldic, funerary, and metaphorical—were seen as possessions of, and creations produced by and for, their masters. Although horses and hawks were a reification of the knight’s elevated position in battle and society, I argue that perhaps no beasts were as closely tied to him in life as his dogs. We begin with an examination of the role of canine companions in affective spectacle. From the feasts in the great halls of the Count of Foix to Richard II’s surrender at Flint Castle, greyhounds acted as prostheses for the emotional display of elite men. In several episodes, these animals permitted their masters to show an affective side to knightly masculinity. We then turn to perhaps the most notable role of hounds: as metonyms for the behavior of men in acts of great violence. The medieval hunt was a tool for homosocial bonding, a test of loyalties, and a theater of prowess where the lines between noble man and animal tended to blur in the minds of aristocrats. The hunt was not for the sake of sport. It was didactic. In chivalric texts and images, representations of predators and prey allowed knights and their recordkeepers to displace the meaning of the hunt onto other realms of knightly self-fashioning. With reference to hounds and contemporary armor, duels, battles, and political rivalries were sometimes reimagined as ritual hunts or made more meaningful with allusion to the beasts and bloodshed of the chasse. In the process, the bascinet-wearing and brigandine-clad knights at the center of these episodes fashioned themselves as something more than human.
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    language: English
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