“写读者†“用户生产者†与新媒介文艺再生产.
The media revolution has driven the subject of the reproduction of art and literature through three stages of iteration, from readers to “wreader†and then to “user-producers.†The reproduction of readers in the era of writing and printing manifested as consciousness-level gap-filling in tex...
| Publicado en: | Foreign Literature Studies Vol. 47; no. 5; pp. 33 - 49 |
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| Autor principal: | |
| Formato: | Artículo |
| Publicado: |
Foreign Literature Studies
Oct2025
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| Acceso en línea: | Ver este registro en EBSCOhost |
| Sumario: | The media revolution has driven the subject of the reproduction of art and literature through three stages of iteration, from readers to “wreader†and then to “user-producers.†The reproduction of readers in the era of writing and printing manifested as consciousness-level gap-filling in texts, lacking materiality. In the hypertext stage, the writing of wreaders involves multiple identities and multiple reproduction functions, including interpretation, exploration, structuring, and rewriting, achieving the materialization of the reproduction of art and literature. However, there are still shortcomings, such as being constrained by the author’s predetermined framework. Entering the era of user-production, user-producers have become co-creators with equal rights to traditional authors. By explaining, extending, deconstructing, and deviating from reproduction forms, they have promoted the realistic generation of a cross-platform, cross-modal, and surging liquid “text universe,†thereby reproducing the “user ideology†and digitalized “decentered†power relationship structure of the new media era. The proposition that “works only begin to exist in reproduction,†proposed by Marcel, has been fully embodied in new media literature and art, or in other words, new media literature and art exemplify a model of reproductive literature and art. 媒介变革驱动文艺再生产主体经历了从读者到 “写读者†再到 “用户生产 者†的三级迭代。书写－印刷时代的读者再生产, 表现为意识层面填补文本空白, 缺 乏物质性。超文本阶段的写读者叠加多重身份, 发挥解释、探索、结构化和重写等多 种再生产功能, 实现了文艺再生产的物质化, 却仍存在着受作者预设框架束缚等缺 陷。进入用户生产时代, 用户生产者成为了与传统作者平权的共创者, 通过解释、延 伸、解构、脱轨等再生产形态, 推动了跨平台、跨模态、涌动更新的液态 “文本宇 宙†的现实生成, 进而再生产出了新媒介时代的 “用户意识形态†和数字化 “去中 心†权力关系结构。马舍雷所说的 “作品只在再生产中才开始存在†的命题在新媒介 文艺中得到了充分体现, 抑或说新媒介文艺就是再生产性文艺的典范。 |
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