Disruption in the Arts : Textual, Visual, and Performative Strategies for Analyzing Societal Self-Descriptions
The volume examines from a comparative perspective the phenomenon of aesthetic disruption within the various arts in contemporary culture. It assumes that the political potential of contemporary art is not solely derived from presenting its audiences with openly political content, but rather from cr...
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| Formato: | Libro |
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De Gruyter
2018
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=1893635&site=ehost-live header: @attributes: shortDbName: nlebk uiTerm: 1893635 longDbName: eBook Collection (EBSCOhost) uiTag: AN controlInfo: bkinfo: btl: Disruption in the Arts : Textual, Visual, and Performative Strategies for Analyzing Societal Self-Descriptions aug: au: Lars Koch Tobias Nanz Johannes Pause sertl: Culture & Conflict isbn: 9783110565867 9783110579758 9783110580082 imageinfo: pubinfo: dt: @attributes: year: 2018 month: 01 day: 01 dtAvail: @attributes: year: 2018 month: 10 day: 12 vid: 00011 pub: De Gruyter pubContract: De Gruyter place: Berlin price: 0.01 limitsGroup: maxCheckoutDays: 1500 pda: N printPagesOffline: 100 printPagesOnline: 100 previewPages: 10000 prePubGroup: dewey: @attributes: class: 700.103 item: 700 .103 lc: @attributes: class: NX650.P6 D57 2018 item: NX 650 .P6 D57 2018 artinfo: ui: 1893635 1056740116 formats: fmt: – @attributes: type: EB doid: NL$1893635$PDF caption: PDF download: Y – @attributes: type: EK doid: NL$1893635$EPUB caption: EPUB download: Y tig: atl: Disruption in the Arts : Textual, Visual, and Performative Strategies for Analyzing Societal Self-Descriptions ptl: Disruption in the Arts aug: au: Lars Koch Tobias Nanz Johannes Pause su: Arts--Political aspects sug: subj: LITERARY CRITICISM / General ART / General ART / History / General Arts--Political aspects ab: The volume examines from a comparative perspective the phenomenon of aesthetic disruption within the various arts in contemporary culture. It assumes that the political potential of contemporary art is not solely derived from presenting its audiences with openly political content, but rather from creating a space of perception and interaction using formal means: a space that makes hegemonic structures of action and communication observable, thus problematizing their self-evidence. The contributions conceptualize historical and contemporary politics of form in the media, which aim to be more than mere shock strategies, which are concerned not just with the ‘narcissistic'exhibition of art as art, but also with the creation of a new common horizon of experience. They combine the analysis of paradigmatic works, procedures and actions with reference to theoretical debates in the fields of literature, media and art of the twentieth and twenty-first centuries. The essay-collection shows how textual, visual, auditive or performative strategies disclose their own ways of functioning, intervene in automated processes of reception and thus work on stimulating a sense of political possibilities. The editors acknowledge support from the European Union's Seventh Framework Program (FP 7/ 2007–2013), ERC grant agreement no. 312454. pubtype: eBook doctype: Book ougenre: Book language: English copyright: @attributes: flag: N copyrightText: holdings: @attributes: islocal: N |
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