| Sumario: | The article discusses Glenn Peers' latest book, which advocates for a decentered approach to studying Byzantine art and material culture through contemporary media theory. Peers argues that Byzantine objects and media shape human subjectivity, suggesting that individuals are products of their representations rather than mere producers. While the book presents thought-provoking insights and interdisciplinary discussions, it raises questions about the uniqueness of media theory in understanding Byzantine art, as alternative analytical frameworks could yield similar insights. The work is characterized as an experimental juxtaposition of modern theory and medieval culture, encouraging open-minded engagement with its concepts.
|
|---|