Looking for Ladyhood: Desegregation-Era Black Church Feminine-ism and the Ocular Politics of Respectability in R. C. Hickman's Photographic Archive.
Scholars of African American religious history who access traditional archives to narrate Black women's religious experiences ought not neglect the pertinent material sources available in the photographic archive. In this article, I consider how vernacular photography found in R. C. Hickman's photog...
| Publicado en: | Journal of the American Academy of Religion Vol. 93; no. 3; pp. 395 - 417 |
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| Formato: | Artículo |
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Oxford University Press / USA
Sep2025
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=189529911&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 189529911 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 00027189 AAR jtl: Journal of the American Academy of Religion issn: 00027189 maglogo: N pubinfo: dt: Sep2025 vid: 93 iid: 3 pid: 622 pub: Oxford University Press / USA artinfo: ui: 189529911 10.1093/jaarel/lfaf077 ppf: 395 ppct: 22 formats: tig: atl: Looking for Ladyhood: Desegregation-Era Black Church Feminine-ism and the Ocular Politics of Respectability in R. C. Hickman's Photographic Archive. aug: au: Evans, Jade D su: Photography archives Feminine identity Photography African American religions African American civil rights Race relations in the United States Dallas (Tex.) sug: subj: Dallas (Tex.) Photography archives Feminine identity Photography African American religions African American civil rights Race relations in the United States ab: Scholars of African American religious history who access traditional archives to narrate Black women's religious experiences ought not neglect the pertinent material sources available in the photographic archive. In this article, I consider how vernacular photography found in R. C. Hickman's photographic archive uncovers important nuances of Black church respectability politics in Dallas, TX from the 1940s to 1960s. Though vernacular photography is a complicated source of historical knowledge, I argue that one of Hickman's photographs in particular puts what Tamura Lomax calls "feminine-ism" on display. By situating this photo within discourse on religion and racial politics in the desegregation era, this article models how scholars can explore photographic archives to fill gaps in African American women's religious history. Thus, this article prompts scholars of African American religious history to embrace the photograph as a significant material source and, thereby, become scholarly witnesses of Black women's religious lives. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y dt: @attributes: year: 2025 holdings: @attributes: islocal: N |
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