CRITICAL POSTHUMANISM AND CINEMA AND MEDIA STUDIES: THE ITALIAN CONNECTION.
The first collection of articles solely dedicated to critical posthumanism in Italian Film, this special issue gathers a group of articles that explore the posthumanist dimension of Italian cinema and other audiovisual media, as a means of escaping a humancentred gaze and the Humanist--masculinist,...
| Publicado en: | Quaderni d'italianistica Vol. 46; no. 1; pp. 7 - 17 |
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| Autores principales: | , |
| Formato: | Artículo |
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Iter Canada
2025
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=189542952&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 189542952 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 02268043 2B0 jtl: Quaderni d'italianistica issn: 02268043 maglogo: N pubinfo: dt: 2025 vid: 46 iid: 1 pid: 78725 pub: Iter Canada artinfo: ui: 189542952 10.33137/q.i..v46i1.46313 ppf: 7 ppct: 10 formats: fmt: @attributes: type: P size: 420KB tig: atl: CRITICAL POSTHUMANISM AND CINEMA AND MEDIA STUDIES: THE ITALIAN CONNECTION. aug: au: FERRARA, ENRICA MARIA KILBOURN, RUSSELL J. A. affil: Trinity College Dublin Wilfrid Laurier University su: Posthumanism Media studies Film studies Italian films Garrone, Matteo sug: subj: Posthumanism Media studies Film studies Italian films Garrone, Matteo ab: The first collection of articles solely dedicated to critical posthumanism in Italian Film, this special issue gathers a group of articles that explore the posthumanist dimension of Italian cinema and other audiovisual media, as a means of escaping a humancentred gaze and the Humanist--masculinist, patriarchal, colonialist, heteronormative--worldview it upholds. This critique takes a variety of unique forms in Italian screen media, inviting multiple theoretical approaches. The articles included in this special issue analyse through a posthumanist lens films by traditional auteurs, such as Dario Argento, Mario Bava, and Daniele Ciprì and Franco Maresco, but also by contemporary directors, such as Matteo Garrone and Pietro Marcello. As well as exploring the tropes and themes of posthumanist cinema, this collection aims to categorize the tools of a film language that gestures toward what was heretofore unavailable to physical, affective, or intellectual apprehension, and can be thought of productively in critical posthumanist terms. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Quaderni d'italianistica is the property of Iter Canada and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Quaderni d'italianistica holder: Iter Canada dt: @attributes: year: 2025 holdings: @attributes: islocal: N |
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