SLASHED: INSECT GAZES, POINT-OF-VIEW PERSPECTIVES, AND THE RISE OF A POST/HUMAN VISION IN THE ITALIAN GIALLO.

Establishing an ecology of Italian horror by looking at Mario Bava's A Bay of Blood (1971) and Dario Argento's Phenomena (1985)--both of which feature insects' first-"person" perspective shots, this paper traces the formation and subsequent development of a gaze in these films, one that disrupts the...

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Bibliographic Details
Published in:Quaderni d'italianistica Vol. 46; no. 1; pp. 17 - 34
Main Author: JACOB, ÉMILIE
Format: Article
Published: Iter Canada 2025
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Online Access:View this record in EBSCOhost