THE DEVELOPMENT OF I/O TECHNIQUES IN LITERATURE: FROM NANNI BALESTRINI'S AUTOCODER TO K. SILEM MOHAMMAD'S FLARF AND THE ADVENT OF CHATBOT POETICS.
In the new millennium, the concept of authorship in poetry undergoes significant transformations due to the pervasive influence of information technology and new media. These widely accessible tools challenge traditional notions of authorial intention and individual creativity among both creators an...
| Publicado en: | Italian Studies Journal / Annali d'Italianistica Vol. 43; pp. 247 - 262 |
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| Formato: | Artículo |
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Annali d'Italianistica, Inc.
2025
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=189584475&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 189584475 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 07417527 8RKP jtl: Italian Studies Journal / Annali d'Italianistica issn: 07417527 maglogo: N pubinfo: dt: 2025 vid: 43 pid: 50921 pub: Annali d'Italianistica, Inc. artinfo: ui: 189584475 10.65266/wkhy2709 ppf: 247 ppct: 15 formats: fmt: @attributes: type: P size: 3.4MB tig: atl: THE DEVELOPMENT OF I/O TECHNIQUES IN LITERATURE: FROM NANNI BALESTRINI'S AUTOCODER TO K. SILEM MOHAMMAD'S FLARF AND THE ADVENT OF CHATBOT POETICS. aug: au: POLICASTRO, GILDA affil: Università digitale Pegaso su: Poetry (Literary form) Authorship Information technology Authorship collaboration Literature Experimental literature International Business Machines Corp. Information processing sug: subj: Poetry (Literary form) Authorship Information technology Authorship collaboration Literature Experimental literature International Business Machines Corp. Information processing keyword: bot training creativity googlism machine neural networks poetry procedure subjectivity ab: In the new millennium, the concept of authorship in poetry undergoes significant transformations due to the pervasive influence of information technology and new media. These widely accessible tools challenge traditional notions of authorial intention and individual creativity among both creators and consumers. In Italian poetry, Nanni Balestrini's Tape Mark I (1961), a text programmed--rather than "written"--by the poet in collaboration with IBM engineers, serves as a key precedent. Utilizing the Autocoder system, Balestrini generated a text through the machine's algorithmic aggregation of strings that defied conventional inspiration and authorial control rooted in Romantic poetics. Contemporary practices see authorship evolving into an "event-based" concept, defined by the discovery and manipulation of language within the vast, undifferentiated internet. This shift aligns with the principles of googlism, as theorized by K. Silem Mohammad, where authorship intertwines with digital indexing, searching, and postproduction. This is how collective authorship gives rise to an ego that chooses, orders, and therefore composes, albeit replacing inspiration with search or found. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Italian Studies Journal / Annali d'Italianistica is the property of Annali d'Italianistica, Inc. and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Italian Studies Journal / Annali d'Italianistica holder: Annali d'Italianistica, Inc. dt: @attributes: year: 2025 holdings: @attributes: islocal: N |
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