Marriage, Collaboration, and the Literary Mass Market in the English-Speaking World, c. 1870–1939.

This article offers the first comprehensive history of Anglo-American married couples who co-published together, c. 1870–1939. It departs from the tendency to solely focus on the detrimental impact of marriage on women's professional lives and the framing of middle-class women as simply either marry...

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Detalles Bibliográficos
Publicado en:Historical Journal Vol. 68; no. 4; pp. 788 - 813
Autor principal: Thomas, Zoë
Formato: Artículo
Publicado: Cambridge University Press Sep2025
Materias:
Acceso en línea:Ver este registro en EBSCOhost
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        atl: Marriage, Collaboration, and the Literary Mass Market in the English-Speaking World, c. 1870–1939.
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        au: Thomas, Zoë
        affil: History Department, University of Birmingham, Birmingham, UK
      su:
        Marriage
        Authorship collaboration
        Popular literature
        Sociohistorical analysis
        Publishing
        Married people
        Gender role
        Twentieth century
      sug:
        subj:
          Marriage
          Authorship collaboration
          Popular literature
          Sociohistorical analysis
          Publishing
          Married people
          Gender role
          Twentieth century
      ab: This article offers the first comprehensive history of Anglo-American married couples who co-published together, c. 1870–1939. It departs from the tendency to solely focus on the detrimental impact of marriage on women's professional lives and the framing of middle-class women as simply either marrying or working as 'spinsters' before the Great War. It instead centres couples who together carved out enviable new positions, arguing these endeavours should be recognized as a growing socio-cultural phenomenon of this era. Moreover, it unpacks the significance of the prominent public discourse circulated to readers across the English-speaking world about such relationships. The most 'popular' partnerships were celebrated as simultaneously 'exceptional' collaborators and 'ordinary' married couples. Their dual-working lifestyles and intellectual compatibility was held up as holding the key to unlocking greater marital happiness. However, invested in carving out their roles in a deeply hierarchical, capitalist world, 'popular' couples often remade and propagated regressive ideas about gender, class, and racialized difference. Still, the article contends that the paradoxes in this discourse facilitated the creation of an imaginative space where readers could explore and self-actualize new perspectives about the ways they, and those around them, might partake in work cultures and intimate relationships in twentieth-century society.
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      doctype: Article
      src: R
    language: English
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