Clothing the "Chinese Lady" in "Her New English Garb": Thomas Percy's Hau Kiou Choaan (1761) and the Naturalization of Chinese Fiction in Eighteenth-Century Britain.

Hau Kiou Choaan, an English translation of the seventeenth-century Chinese fiction Haoqiu Zhuan, attained recognition from publishers after Thomas Percy made substantial alterations. Percy and his fellow writers referred to this process as "naturalization." This article explores Percy's translation...

Descripción completa

Detalles Bibliográficos
Publicado en:Eighteenth Century Fiction Vol. 37; no. 3; pp. 452 - 485
Autor principal: Jiang, Lina
Formato: Artículo
Publicado: University of Toronto Press Jul2025
Materias:
Acceso en línea:Ver este registro en EBSCOhost
fields @attributes:
  recordID: 1
pdfLink:
plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=189656838&site=ehost-live
header:
  @attributes:
    shortDbName: hlh
    uiTerm: 189656838
    longDbName: Humanities International Complete
    uiTag: AN
  controlInfo:
    bkinfo:
    jinfo:
      jid:
        08406286
        7SD
      jtl: Eighteenth Century Fiction
      issn: 08406286
      maglogo: N
    pubinfo:
      dt: Jul2025
      vid: 37
      iid: 3
      pid: 678
      pub: University of Toronto Press
    artinfo:
      ui:
        189656838
        10.3138/ecf-2023-0091
      ppf: 452
      ppct: 33
      formats:
        fmt:
          – @attributes:
              type: T
          – @attributes:
              type: P
              size: 568KB
      tig:
        atl: Clothing the "Chinese Lady" in "Her New English Garb": Thomas Percy's Hau Kiou Choaan (1761) and the Naturalization of Chinese Fiction in Eighteenth-Century Britain.
      aug:
        au: Jiang, Lina
      su:
        Percy, Thomas, 1729-1811
        Chinese fiction
        Naturalization
        Literary characters
        United Kingdom
      sug:
        subj:
          United Kingdom
          Percy, Thomas, 1729-1811
          Chinese fiction
          Naturalization
          Literary characters
      ab: Hau Kiou Choaan, an English translation of the seventeenth-century Chinese fiction Haoqiu Zhuan, attained recognition from publishers after Thomas Percy made substantial alterations. Percy and his fellow writers referred to this process as "naturalization." This article explores Percy's translation and editing practices within the context of the eighteenth-century debates on naturalization acts. The naturalization of Chinese fiction, as embodied in alterations, annotations, and character adjustments, mirrors the complexities inherent in the struggles of naturalizing foreigners in Britain. Percy's editorial endeavours also reflect his desire to regulate and reshape both the Chinese literary genre and its Chinese characters. Instances of mistranslation and additional cultural footnotes in Percy's English version further underscore the Chinese text's resistance to complete naturalization and the difficulties involved. Percy and his publishers' treatment of this Chinese work reveals the intricate dynamics of debates over citizenship, belonging, and the reception of foreign literature featuring non-British characters.
      pubtype: Academic Journal
      doctype: Article
      src: R
    language: English
    refInfo:
    copyright:
      @attributes:
        flag: Y
      custom: Copyright of Eighteenth Century Fiction is the property of University of Toronto Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use.
      item: Eighteenth Century Fiction
      holder: University of Toronto Press
      dt:
        @attributes:
          year: 2025
    holdings:
      @attributes:
        islocal: N