BEYOND THE HUNDRED ACRE WOOD: POSTHUMANISM IN A. A. MILNE'S WINNIE-THE-POOH.
Children's literature is a field of study that contributes to the evolution of the posthuman. English author A. A. Milne's prominent book, Winnie-the-Pooh (1926), is set in a posthuman space, the Hundred Acre Wood, inhabited by the human character, Christopher Robin and his animal friends in harmony...
| Publicado en: | TRAMES: A Journal of the Humanities & Social Sciences Vol. 29; no. 4; pp. 315 - 330 |
|---|---|
| Autor principal: | |
| Formato: | Artículo |
| Publicado: |
Teaduste Akadeemia Kirjastus
2025
|
| Materias: | |
| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=ssf&AN=189725350&site=ehost-live header: @attributes: shortDbName: ssf uiTerm: 189725350 longDbName: Social Sciences Full Text (H.W. Wilson) uiTag: AN controlInfo: bkinfo: jinfo: jid: 14060922 DT1 jtl: TRAMES: A Journal of the Humanities & Social Sciences issn: 14060922 maglogo: N pubinfo: dt: 2025 vid: 29 iid: 4 pid: 11112 pub: Teaduste Akadeemia Kirjastus artinfo: ui: 189725350 10.3176/tr.2025.4.01 ppf: 315 ppct: 15 formats: fmt: @attributes: type: P size: 2MB tig: atl: BEYOND THE HUNDRED ACRE WOOD: POSTHUMANISM IN A. A. MILNE'S WINNIE-THE-POOH. aug: au: Ayyıldız, Nilay Erdem affil: Fırat University su: Posthumanism Human-animal relationships Authors Children's literature sug: subj: Posthumanism Human-animal relationships Authors Independent Artists, Writers, and Performers Independent writers and authors Children's literature keyword: A. A. Milne animal agency anthropocentricism children's literature posthumanism the Hundred Acre Wood Winnie-the-Pooh A. A. Milne animal agency anthropocentricism children's literature posthumanism the Hundred Acre Wood Winnie-the-Pooh ab: Children's literature is a field of study that contributes to the evolution of the posthuman. English author A. A. Milne's prominent book, Winnie-the-Pooh (1926), is set in a posthuman space, the Hundred Acre Wood, inhabited by the human character, Christopher Robin and his animal friends in harmony. The book sets a balance between the human and the nonhuman, culture and nature, reason and sensation. The study analyses how Winnie-the-Pooh exemplifies the exercise of posthumanism in a children's work to enlighten how the boundaries between the human and the nonhuman are blurred, animal agency and nonhuman subjectivity are constructed in the book, and how communication and nonhuman expressivity transgress anthropocentric language and rationalist discourse by adopting a posthuman approach. Thus, the study reveals that Winnie-the-Pooh contributes to the comprehension and exercise of posthumanism through stories for child readers, transgressing the boundaries set by anthropocentricism in the Disney production of the book. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: N holdings: @attributes: islocal: N |
|---|