'Soprattutto non ti abbandonare a monologhi svagati o maldicenti o rabbiosi': Traces of Simone de Beauvoir's 'Monologue' in Elena Ferrante's I giorni dell'abbandono.

In its exploration of Olga's reaction to her husband's sudden departure with a younger woman, Elena Ferrante's I giorni dell'abbandono (2002) establishes a structural dialogical relationship with Simone de Beauvoir's La femme rompue (1967). The existing scholarship that examines Ferrante's intertext...

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Bibliographic Details
Published in:Italianist Vol. 45; no. 1; pp. 179 - 199
Main Author: Bounabat, Sarah Leïla
Format: Article
Published: Taylor & Francis Ltd Feb2025
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Online Access:View this record in EBSCOhost