Angelina in the Archives: Tracing Heteropatriarchy and Settler Colonialism in Local Histories of the Pineywoods.

This article draws on Native feminist theories and critical settler colonial studies to analyze the role of heteropatriarchy and settler colonialism in local histories of the East Texas Pineywoods, occupied Caddo lands. Taking up accounts from the early modern colonial period alongside more contempo...

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Publicado en:Frontiers: A Journal of Women Studies Vol. 46; no. 3; pp. 121 - 152
Autor principal: Johnson, Jordan Lea
Formato: Artículo
Publicado: University of Nebraska Press 2025
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Acceso en línea:Ver este registro en EBSCOhost
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        atl: Angelina in the Archives: Tracing Heteropatriarchy and Settler Colonialism in Local Histories of the Pineywoods.
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        au: Johnson, Jordan Lea
      su:
        Settler colonialism
        Indigenous women
        Postcolonial literature
        Human sexuality
        Native American history
        Heterosexism
        Tribal sovereignty
        East Texas
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          East Texas
          Settler colonialism
          Indigenous women
          Postcolonial literature
          Human sexuality
          Native American history
          Heterosexism
          Tribal sovereignty
      keyword:
        colonial archives
        gender
        heteropatriarchy
        local history
        settler colonialism
        sexuality
      ab: This article draws on Native feminist theories and critical settler colonial studies to analyze the role of heteropatriarchy and settler colonialism in local histories of the East Texas Pineywoods, occupied Caddo lands. Taking up accounts from the early modern colonial period alongside more contemporary examples, I conduct a feminist genealogical analysis of a Caddo woman known to the settler archive as Angelina. Characterized as the "Pineywoods Pocahontas" within local history and lore of East Texas, Angelina is situated within a legacy of Native women imagined to be aligned with colonial interests through their romanticized attachments to white settler men. As with other famous Native women, settler stories comprehend Angelina according to heteropatriarchal norms of gender and sexuality, imagining her as submissive and accommodating while framing colonization within a teleological narrative of US history. In colonial journals and memoirs, as well as contemporary paintings, murals, and local histories, settler stories frame Angelina through the lens of heteropatriarchy and colonial modernity, confining Caddo peoples and societies to a prehistoric past while eliding Caddo sovereignty in the present and denying Caddo futures. I apply Native feminist theorizations of gender, sexuality, and colonialism to representations of Angelina to denaturalize the heteropatriarchal replacement narratives that continue to authorize settlers as the rightful inhabitants of Caddo homelands, framing local history narratives and settler storytelling practices as one way that settler colonialism is romanticized in the past, enacted in the present, and normalized in the future.
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