The Autobiographical Source: Reflecting on the Memoirs of a Feminist Publisher: Laura Lepetit.
Laura Lepetit, founder of Italy's most renowned and longest-running feminist publishing house, La Tartaruga (1975–1998), left behind in her Autobiografia di una femminista distratta (Autobiography of a distracted feminist , 2016) not only a testimony of her professional activity but also traces of h...
| Publicado en: | Quaerendo Vol. 55; no. 4; pp. 306 - 326 |
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| Formato: | Artículo |
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Brill Academic Publishers
2025
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=189903851&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 189903851 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 00149527 C4O jtl: Quaerendo issn: 00149527 maglogo: Y pubinfo: dt: 2025 vid: 55 iid: 4 pid: 639 pub: Brill Academic Publishers artinfo: ui: 189903851 10.1163/15700690-bja10042 ppf: 306 ppct: 20 formats: tig: atl: The Autobiographical Source: Reflecting on the Memoirs of a Feminist Publisher: Laura Lepetit. aug: au: Piazzoni, Irene affil: University of Milan, Contemporary History, Milan, Italy su: Feminism Publishing Feminist literature Identity (Psychology) Autobiography Italy sug: subj: Italy Feminism Publishing Feminist literature Identity (Psychology) Autobiography keyword: 'second-wave' feminism autobiographical writings feminist publishing houses La Tartaruga publishing Laura Lepetit ab: Laura Lepetit, founder of Italy's most renowned and longest-running feminist publishing house, La Tartaruga (1975–1998), left behind in her Autobiografia di una femminista distratta (Autobiography of a distracted feminist , 2016) not only a testimony of her professional activity but also traces of her conception of women's autobiographical writing. This article analyses the author's strategies for defining the trajectory and meaning of her life through written memory, as well as certain aspects that emerge with particular force: the complex self-representation combining feminism and publishing; the proud assertion of having independently managed the cultural project underlying book publication; the sophisticated construction of the text, which reflects a deep understanding of the morphology of autobiographical writing; the crucial role of the autobiographical perspective in her editorial choices; and the plural and collective nature of her memoirs. The case of Lepetit's memoirs demonstrates how the theoretical work of so-called second-wave feminism has profoundly influenced the ways of narrating a woman's life and, for a woman publisher, of narrating her own. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y dt: @attributes: year: 2025 holdings: @attributes: islocal: N |
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