Amid Journalists, Communists, and a Russian Countess: Viktor Shklovsky's Italian Journey (1964–1969).
This article focuses on the reception of Viktor Shklovsky in Italy in the 1960s. Relying on archival sources and semistructured interviews, the author reconstructs the ways the Communist journal Rassegna sovietica and the small publisher De Donato Editore operated and contributed to the appearance o...
| Publicado en: | Poetics Today Vol. 46; no. 3/4; pp. 501 - 538 |
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| Formato: | Artículo |
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Duke University Press
Sep2025
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=189942235&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 189942235 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 03335372 6ML jtl: Poetics Today issn: 03335372 maglogo: N pubinfo: dt: Sep2025 vid: 46 iid: 3/4 pid: 154 pub: Duke University Press artinfo: ui: 189942235 10.1215/03335372-11926892 ppf: 501 ppct: 37 formats: tig: atl: Amid Journalists, Communists, and a Russian Countess: Viktor Shklovsky's Italian Journey (1964–1969). aug: au: Tripiccione, Lidia affil: Princeton University su: Shklovskii, Viktor, 1893-1984 Narration Nineteen sixties East European literature Publishing Translating & interpreting Literary theory Periodical articles Italy sug: subj: Italy Shklovskii, Viktor, 1893-1984 Narration Nineteen sixties East European literature Publishing Translating & interpreting Literary theory Periodical articles keyword: Andre Lefevere Hayden White OPOYAZ Russian Formalism ab: This article focuses on the reception of Viktor Shklovsky in Italy in the 1960s. Relying on archival sources and semistructured interviews, the author reconstructs the ways the Communist journal Rassegna sovietica and the small publisher De Donato Editore operated and contributed to the appearance of a surprising amount of Italian translations from this author. Beyond the reconstruction of the historical context, the author pays particular attention to the strategies of emplotment that Rassegna sovietica and De Donato Editore used to present Shklovsky to their public. Drawing from André Lefevere, Hayden White, and on the OPOYAZ members themselves, the author shows how De Donato and Rassegna sovietica deployed two diametrically opposite strategies; while the former borrowed a well-defined plot to talk about Soviet writers from Italian newspapers, the latter privileged an exploratory approach to the material that did not entail any definite judgment on the topic. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y dt: @attributes: year: 2025 holdings: @attributes: islocal: N |
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