Sounding the net: Recent sonic works for the internet and computer networks.
This article examines a number of recent Internet- and network-based audio pieces with a focus on their compositional underpinnings, and the effect of the Internet and networks on the creative process. The process is discussed in excerpts from online interviews with the creators, and the technical a...
| Publicado en: | Contemporary Music Review Vol. 24; no. 6; pp. 459 - 482 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
2005
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=19019748&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 19019748 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 07494467 7VR jtl: Contemporary Music Review issn: 07494467 maglogo: N pubinfo: dt: 2005 vid: 24 iid: 6 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 19019748 10.1080/07494460500296136 ppf: 459 ppct: 23 formats: fmt: – @attributes: type: T – @attributes: type: P size: 512KB tig: atl: Sounding the net: Recent sonic works for the internet and computer networks. aug: au: Traub, Peter su: Digital music Interactive computer systems Computer sound processing Computers Digital audio sug: subj: Digital music Interactive computer systems Computer sound processing Computers Digital audio keyword: Collective Composition Interactive Computer Music Internet Composition Network Music Web-based Music ab: This article examines a number of recent Internet- and network-based audio pieces with a focus on their compositional underpinnings, and the effect of the Internet and networks on the creative process. The process is discussed in excerpts from online interviews with the creators, and the technical and aesthetic goals of the pieces are described. The article concludes with a discussion of the author's own recent experience composing groundloops: for solo percussion and internet —as well as an attempt to find areas of intersection and differentiation among the approaches discussed. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Contemporary Music Review is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Contemporary Music Review holder: Taylor & Francis Ltd dt: @attributes: year: 2005 holdings: @attributes: islocal: N |
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