Composing with media: Zero in time and space.
This article describes the research and theory behind a multimedia installation currently in progress: The Pavilion , inspired by the seminal Pepsi Pavilion created by E.A.T. (Experiments in Art & Technology) for Expo ’70 in Osaka, Japan. Like the original, The Pavilion employs a concave spherical m...
| Publicado en: | Contemporary Music Review Vol. 24; no. 6; pp. 509 - 526 |
|---|---|
| Autor principal: | |
| Formato: | Artículo |
| Publicado: |
Taylor & Francis Ltd
2005
|
| Materias: | |
| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=19019749&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 19019749 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 07494467 7VR jtl: Contemporary Music Review issn: 07494467 maglogo: N pubinfo: dt: 2005 vid: 24 iid: 6 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 19019749 10.1080/07494460500296185 ppf: 509 ppct: 17 formats: fmt: – @attributes: type: T – @attributes: type: P size: 1.6MB tig: atl: Composing with media: Zero in time and space. aug: au: Packer, Randall su: Digital music Audiovisual materials Multimedia systems Computer sound processing Digital audio sug: subj: Digital music Audiovisual materials Multimedia systems Computer sound processing Digital audio keyword: Dislocation Installation Internet Multimedia Network Music Virtual ab: This article describes the research and theory behind a multimedia installation currently in progress: The Pavilion , inspired by the seminal Pepsi Pavilion created by E.A.T. (Experiments in Art & Technology) for Expo ’70 in Osaka, Japan. Like the original, The Pavilion employs a concave spherical mirror situated in an audio-visual environment, engaging viewers in a participatory experience that collapses their perception of time and space. The project explores the composition of musical and visual forms that extend the transformations of the mirror space to the virtual architecture of the Internet. It also investigates the dislocation of the viewer experience brought about by the blurring of boundaries between physical and network space. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Contemporary Music Review is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Contemporary Music Review holder: Taylor & Francis Ltd dt: @attributes: year: 2005 holdings: @attributes: islocal: N |
|---|