The internet: The untended garden.
This article accepts that the Internet has some exciting potential for musical experiences, but cautions against whole-hearted acceptance of the current state of affairs. Colleagues are encouraged to acknowledge some of the advantages of live performance, including the ‘electric’ energy between perf...
| Publicado en: | Contemporary Music Review Vol. 24; no. 6; pp. 551 - 560 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
2005
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=19019752&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 19019752 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 07494467 7VR jtl: Contemporary Music Review issn: 07494467 maglogo: N pubinfo: dt: 2005 vid: 24 iid: 6 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 19019752 10.1080/07494460500296219 ppf: 551 ppct: 9 formats: fmt: – @attributes: type: T – @attributes: type: P size: 71KB tig: atl: The internet: The untended garden. aug: au: Mountain, Rosemary su: Digital music Acoustical engineering Virtual reality Computer sound processing Computer simulation sug: subj: Digital music Acoustical engineering Virtual reality Computer sound processing Computer simulation keyword: Coherence Diversity Internet Physicality Retrieval Virtuality ab: This article accepts that the Internet has some exciting potential for musical experiences, but cautions against whole-hearted acceptance of the current state of affairs. Colleagues are encouraged to acknowledge some of the advantages of live performance, including the ‘electric’ energy between performers and their audiences, the concentration of the participants, and the subliminal recognition of accurate reproduction of the sonic experience, in order to identify those qualities that need to be considered in the construction of virtual counterparts. The diversity of venues in live performance is also suggested as a model that will not only help in encouraging a diversity of approaches to Internet music contexts, but also help in users quickly identifying the specific sites they wish to browse. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Contemporary Music Review is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Contemporary Music Review holder: Taylor & Francis Ltd dt: @attributes: year: 2005 holdings: @attributes: islocal: N |
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