Lines of net music.
This article describes major lines of networked music as observed in the course of extended scholarship on the subject done by the author. The Internet protocols' condition of hosting systems for two-way communication is considered to mark the central difference from earlier media of audio diffusion...
| Publicado en: | Contemporary Music Review Vol. 24; no. 6; pp. 439 - 445 |
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| Autor principal: | |
| Formato: | Artículo |
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Taylor & Francis Ltd
2005
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=19019753&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 19019753 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 07494467 7VR jtl: Contemporary Music Review issn: 07494467 maglogo: N pubinfo: dt: 2005 vid: 24 iid: 6 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 19019753 10.1080/07494460500296102 ppf: 439 ppct: 6 formats: fmt: – @attributes: type: T – @attributes: type: P size: 59KB tig: atl: Lines of net music. aug: au: Föllmer, Golo su: Digital music Internet protocols Musical composition Popular music Computer sound processing sug: subj: Digital music Internet protocols Musical composition Popular music Computer sound processing keyword: Collaborative Composition Communication Interactive Music Internet Net Music Participative Music ab: This article describes major lines of networked music as observed in the course of extended scholarship on the subject done by the author. The Internet protocols' condition of hosting systems for two-way communication is considered to mark the central difference from earlier media of audio diffusion. Musical uses of, and critical reflections on, this characteristic are shown to differ according to the diverse cultural lines or backgrounds of academic composition, media art or pop music. It is stated that the complexity of musical structures, of interaction schemes and the degree of reflection on the properties of the medium has increased steadily. While early expectations of the listener's total emancipation through the mere fact of the Internet's reciprocal communication structure had to be revised, the author proposes that musical systems based on non-hierarchical networks primarily support the development of music as a collective communal activity. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Contemporary Music Review is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Contemporary Music Review holder: Taylor & Francis Ltd dt: @attributes: year: 2005 holdings: @attributes: islocal: N |
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