Internet music: An introduction.
This article provides a summary and overview of the key aspects of Internet music, as well as an introduction to the issue of Contemporary Music Review on the subject. It examines popular conceptions of Internet music and seeks to define the topic by exploring some music that draws inspiration from...
| Publicado en: | Contemporary Music Review Vol. 24; no. 6; pp. 429 - 438 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
2005
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=19019758&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 19019758 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 07494467 7VR jtl: Contemporary Music Review issn: 07494467 maglogo: N pubinfo: dt: 2005 vid: 24 iid: 6 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 19019758 10.1080/07494460500296094 ppf: 429 ppct: 9 formats: fmt: – @attributes: type: T – @attributes: type: P size: 72KB tig: atl: Internet music: An introduction. aug: au: Hugill, Andrew su: Digital music Virtual reality Computer sound processing Computers Digital audio sug: subj: Digital music Virtual reality Computer sound processing Computers Digital audio keyword: Internet Music Network ab: This article provides a summary and overview of the key aspects of Internet music, as well as an introduction to the issue of Contemporary Music Review on the subject. It examines popular conceptions of Internet music and seeks to define the topic by exploring some music that draws inspiration from networking without actually being Internet music itself. This article describes some basic Internet music concepts and attempts to classify it into various types: music that uses the network to connect physical spaces or instruments; music that is created or performed in virtual environments, or uses virtual instruments; music that translates into sound aspects of the network itself; music that uses the Internet to enable collaborative composition or performance; and music that is delivered via the Internet, with varying degrees of user interactivity. Finally, this article briefly describes the various contributions to the special issue and gives a general editorial context for the subsequent discussions. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Contemporary Music Review is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Contemporary Music Review holder: Taylor & Francis Ltd dt: @attributes: year: 2005 holdings: @attributes: islocal: N |
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