"Socially Distanced Since 1978": Music Theory, Race, and Ethnic Studies.
Dismantling U.S./Canadian music theory's white-male frame requires the field to commit collectively to intellectual projects that contest the existing power structures of white supremacy, coloniality, and heteropatriarchy. I argue that entering into dialogue with ethnic studies offers music theorist...
| Publicado en: | Journal of Musicological Research Vol. 44; no. 2/3; pp. 160 - 179 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
2025
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=190255754&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 190255754 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 01411896 7WF jtl: Journal of Musicological Research issn: 01411896 maglogo: N pubinfo: dt: 2025 vid: 44 iid: 2/3 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 190255754 10.1080/01411896.2025.2554536 ppf: 160 ppct: 19 formats: fmt: – @attributes: type: T – @attributes: type: P size: 535KB tig: atl: "Socially Distanced Since 1978": Music Theory, Race, and Ethnic Studies. aug: au: Momii, Toru affil: Harvard University su: Race Ethnic studies White supremacy Music theory Postcolonialism Social norms Identity (Psychology) Activism sug: subj: Race Ethnic studies White supremacy Music theory Postcolonialism Social norms Identity (Psychology) Activism ab: Dismantling U.S./Canadian music theory's white-male frame requires the field to commit collectively to intellectual projects that contest the existing power structures of white supremacy, coloniality, and heteropatriarchy. I argue that entering into dialogue with ethnic studies offers music theorists the necessary vocabulary and frameworks to speak precisely, responsibly, and thoughtfully about issues of race, identity, and power, and to connect our work to broader activist movements taking place within and beyond the academy. Centering the critical methodologies of ethnic studies in music theory can therefore serve as a crucial step towards making "music theory more welcoming" for minoritized scholars. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Journal of Musicological Research is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Journal of Musicological Research holder: Taylor & Francis Ltd dt: @attributes: year: 2025 holdings: @attributes: islocal: N |
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