"I Am My Teeth": Dental Autobiography and the Economics of Self-Fashioning in Valeria Luiselli's The Story of My Teeth.

This article closely examines the role played by teeth in processes of subjectivation as portrayed in Valeria Luiselli's novel The Story of My Teeth. While the transformations undergone by the protagonist's teeth embody his incomplete subjectivation, the teeth are also repeatedly objectified in the...

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Published in:University of Toronto Quarterly Vol. 94; no. 4; pp. 674 - 690
Main Authors: Viswanathan, Nisha, Gandhi S. P., Jenifer
Format: Article
Published: University of Toronto Press Nov2025
Subjects:
Online Access:View this record in EBSCOhost
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        atl: "I Am My Teeth": Dental Autobiography and the Economics of Self-Fashioning in Valeria Luiselli's The Story of My Teeth.
      aug:
        au:
          Viswanathan, Nisha
          Gandhi S. P., Jenifer
        affil: National Institute of Technology, Tiruchirappalli, India
      su:
        Luiselli, Valeria, 1983-
        Autobiography
        Teeth
        Protagonists (Persons)
        Ontology
      sug:
        subj:
          Luiselli, Valeria, 1983-
          Autobiography
          Teeth
          Protagonists (Persons)
          Ontology
      keyword:
        fetish
        heterotopia
        subjectivation
        teeth
        Valeria Luiselli
      ab: This article closely examines the role played by teeth in processes of subjectivation as portrayed in Valeria Luiselli's novel The Story of My Teeth. While the transformations undergone by the protagonist's teeth embody his incomplete subjectivation, the teeth are also repeatedly objectified in the narrative through processes of grafting and auctioning and through the fashioning of dentures. Through the possibilities offered by the notion of "heterotopia," in both its anatomical and Foucauldian conceptions, the article explores the portrayal of teeth in the novel as heterotopic sites juxtaposing at a single locus several incompatibilities. It further examines the ontological assumptions underlying the protagonist's evolving sense of objectal value and the attendant contradictions characterizing his emergent selfhood.
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