| Sumario: | The article focuses on the recent edition of two string quartets by Franz Weiss, edited by Mark Ferraguto, which aims to highlight Weiss's contributions to music, particularly in the context of his relationship with Ludwig van Beethoven. Weiss, a violist in the Schuppanzigh Quartet, has historically received little attention despite his significant role in premiering Beethoven's works. Ferraguto's edition, part of A-R Editions's series on string quartets from Beethoven's Europe, presents Weiss's Op. 8 quartets, showcasing their originality and depth while addressing the challenges of editing from limited historical sources. The article discusses the complexities of Weiss's legacy, emphasizing how his identity as a composer is intertwined with Beethoven's influence, and advocates for the performance and appreciation of Weiss's music as a means to recognize his artistic merit independently.
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