Toward Apperception Theory. A Cognitive Approach to the Fantastic as Linkage. Definition and Examples from Edgar Allan Poe.

I present here a new theory concerning fantastic literature--which I have called apperception theory--by connecting two distinct scientific dialogues. Taking into account research in recent decades in the epistemology of complexity, cognitive science and Cognitive Literary Studies--embodied simulati...

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Publicado en:Atlantis (0210-6124) Vol. 47; no. 2; pp. 199 - 218
Autor principal: REMORINI, PAOLO
Formato: Artículo
Publicado: Departament de Llengues i Literatures Modernes i d'Estudis Anglesos Dec2025
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Acceso en línea:Ver este registro en EBSCOhost
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        atl: Toward Apperception Theory. A Cognitive Approach to the Fantastic as Linkage. Definition and Examples from Edgar Allan Poe.
      aug:
        au: REMORINI, PAOLO
        affil: Teaches Italian Language and Culture and Spanish and Latin American Literature at the Center for Modern Languages of the University of Granada
      su:
        Cognitive science
        Fantasy literature
        Narration
        Literary criticism
        Gothic fiction (Literary genre)
        Literary theory
        Intersubjectivity
        Literary form
        Poe, Edgar Allan, 1809-1849
      sug:
        subj:
          Cognitive science
          Fantasy literature
          Narration
          Literary criticism
          Gothic fiction (Literary genre)
          Literary theory
          Intersubjectivity
          Literary form
          Poe, Edgar Allan, 1809-1849
      keyword:
        apperception theory
        cognitive literary studies
        Edgar Allan Poe
        embodied simulation
        fantastic literature
        estudios literarios cognitivos
        literatura fantástica
        simulación encarnada
        teoría de las apercepciones
      ab:
        I present here a new theory concerning fantastic literature--which I have called apperception theory--by connecting two distinct scientific dialogues. Taking into account research in recent decades in the epistemology of complexity, cognitive science and Cognitive Literary Studies--embodied simulation, mirror neurons, intersubjectivity--I define the fantastic as the linkage that can emerge from a modification of our linguistic, narrative and paradigmatic apperceptions either as an anomaly or through the alteration or transgression of at least one of the cognitive levels that operate in any narrative experience. Therefore, I offer an interpretive alternative in the polarised debate between the fantastic as a literary genre (Todorov 1970) and the fantastic as a narrative mode (Bessière 1973). Also, through the analysis of specific stories by Edgar Allan Poe, I develop an analytic model to identify the degree and depth of fantastic linkages that emerge from apperceptive connections.
        Presento aquí una nueva teoría relativa a la literatura fantástica--denominada teoría de las apercepciones--conectando dos diálogos científicos distintos. Tomo en consideración las investigaciones de las últimas décadas en epistemología de la complejidad, ciencias cognitivas y estudios literarios cognitivos--simulación encarnada, neuronas espejo, intersubjetividad--y defino lo fantástico como el vínculo que puede surgir de una modificación de nuestras apercepciones lingüísticas, narrativas y paradigmáticas como anomalía, alteración o transgresión de al menos uno de los niveles cognitivos que operan en toda experiencia narrativa. Por ello, ofrecemos una alternativa interpretativa en el debate polarizado entre lo fantástico como género literario (Todorov 1970) y lo fantástico como modo narrativo (Bessière 1973) y, a través del análisis de algunos relatos de Edgar Allan Poe, un modelo analítico para identificar el grado y la profundidad de los vínculos fantásticos que emergen de las conexiones aperceptivas.
      pubtype: Academic Journal
      doctype: Article
      src: R
    language: English
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