«Asatz avia en un alberc d'un trobador»: representacions textuals de la trobairitz Caudairenga.

The name of the trobairitz Caudairenga appears in the account of the 18 women troubadours with no extant works who are mentioned in medieval Occitan texts. Caudairenga's figure is featured in both lyric and narrative troubadour texts alongside that of her husband, the troubadour Raimon de Miraval (a...

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Publicado en:Scripta no. 25; pp. 1 - 17
Autor principal: CODERCH, MARION
Formato: Artículo
Publicado: Scripta des2025
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Acceso en línea:Ver este registro en EBSCOhost
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        atl: «Asatz avia en un alberc d'un trobador»: representacions textuals de la trobairitz Caudairenga.
      aug:
        au: CODERCH, MARION
        affil: Universidad Nacional de Educación a Distancia (UNED)
      su:
        Lyric poetry
        Medieval literature
        Poets
        Literary characters
        Lyricists
        Narration
        Women novelists
      sug:
        subj:
          Lyric poetry
          Medieval literature
          Poets
          Literary characters
          Lyricists
          Narration
          Women novelists
      keyword:
        medieval Occitan poetry
        medieval women writers
        Caudairenga
        escriptores de l'Edat Mitjana
        Gaudairenca
        lírica occitana medieval
        Trobairitz
      ab:
        The name of the trobairitz Caudairenga appears in the account of the 18 women troubadours with no extant works who are mentioned in medieval Occitan texts. Caudairenga's figure is featured in both lyric and narrative troubadour texts alongside that of her husband, the troubadour Raimon de Miraval (active between 1180 and 1213). In these instances, she is always associated with her artistic activity and described in the most flattering terms. However, she is also rejected by her husband, who, despite the different situations described in lyric and narrative texts, always seems to take issue with the fact that she is a successful poet in her own right. This paper looks at the texts where Caudairenga's character is featured with a double aim: firstly, to elucidate which is the role of her presence in the different narratives where she appears; secondly, to identify and describe the confluence of attitudes and judgements (both positive and negative) around her figure and her identity as a trobairitz. The conclusions of this study will contribute to current knowledge about the way women troubadours were viewed by their contemporaries.
        La figura de Caudairenga, una de les 18 trobairitz el nom de les quals coneixem sense que ens n'hagi arribat cap composició, apareix en textos lírics i narratius trobadorescos sempre al costat del seu marit, el trobador Raimon de Miraval (actiu entre 1180 i 1213). En les representacions textuals de la seva figura, Caudairenga és associada amb la seva activitat poètica i descrita en termes elogiosos, tant pel que fa a la seva persona com pel que fa a la seva lírica. Tanmateix, en totes les situacions en què apareix és objecte de rebuig per part del seu marit. Malgrat les diferències entre les històries narrades en els textos a l'entorn de Caudairenga, hi ha un vincle persistent entre la seva activitat poètica i el repudi per part de Miraval. El present article examina els testimonis que ofereixen imatges de Caudairenga amb un doble objectiu: d'una banda, esbrinar quina és la funció que s'atribueix a la seva figura en els relats en què apareix; de l'altra banda, identificar i descriure la confluència d'actituds i valoracions positives i negatives a l'entorn de la seva figura i de la seva identitat com a trobairitz. Les conclusions d'aquest estudi contribuiran a matisar el coneixement que posseïm actualment sobre la manera com les trobairitz eren considerades en la societat del seu temps.
      pubtype: Academic Journal
      doctype: Article
      src: R
    language: Catalan
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          year: 2025
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