Turning the Tables on "Bluebeard": Intertextuality in Helen Oyeyemi's Mr. Fox.

One of the chief criticisms of Helen Oyeyemi's Mr. Fox is that the book is disjointed. The novel's fragmentation derives from Oyeyemi's studious avoidance of Perrault's "Bluebeard," which functions as the absent center of the novel. Rather than perpetuating the misogynistic elements present in Perra...

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Publicado en:Journal of Modern Literature Vol. 49; no. 1; pp. 20 - 37
Autor principal: Lorhan, Laura
Formato: Literary Criticism
Publicado: Indiana University Press Fall2025
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Acceso en línea:Ver este registro en EBSCOhost
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        atl: Turning the Tables on "Bluebeard": Intertextuality in Helen Oyeyemi's Mr. Fox.
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        au: Lorhan, Laura
        affil: Independent scholar
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        Mr. Fox (Book : Oyeyemi)
        Oyeyemi, Helen
        Violence against women in literature
        Fairy tales
        20th century (Literary period)
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          Mr. Fox (Book : Oyeyemi)
          Oyeyemi, Helen
          Violence against women in literature
          Fairy tales
          20th century (Literary period)
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        Bluebeard
        fairy tales
        femicide
        Helen Oyeyemi
        intertextuality
      ab: One of the chief criticisms of Helen Oyeyemi's Mr. Fox is that the book is disjointed. The novel's fragmentation derives from Oyeyemi's studious avoidance of Perrault's "Bluebeard," which functions as the absent center of the novel. Rather than perpetuating the misogynistic elements present in Perrault's "Bluebeard," Oyeyemi invokes a constellation of female voices and folkloric variants of the fairy tale. However, Oyeyemi does not uncritically valorize narratives by women, and she holds out the possibility of rehabilitating Bluebeard once his crimes have been reported and atoned for, even dedicating the novel to her own Mr. Fox.
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