Why don't more journalists and documentary makers use spatial audio? Barriers to sonic experimentation in contemporary radio and podcast production cultures.
There has certainly been a revival of interest in what is known variously as spatial, immersive or three-dimensional sound in radio and podcasting in recent years. It has been used in news, documentaries, investigative series and audio dramas. But this article turns instead to its relative lack of u...
| Publicado en: | Radio Journal: International Studies in Broadcast & Audio Media Vol. 23; no. 2; pp. 161 - 176 |
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| Autor principal: | |
| Formato: | Artículo |
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Intellect Ltd.
Oct2025
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=ssf&AN=190994179&site=ehost-live header: @attributes: shortDbName: ssf uiTerm: 190994179 longDbName: Social Sciences Full Text (H.W. Wilson) uiTag: AN controlInfo: bkinfo: jinfo: jid: 14764504 L2N jtl: Radio Journal: International Studies in Broadcast & Audio Media issn: 14764504 maglogo: N pubinfo: dt: Oct2025 vid: 23 iid: 2 pid: 12270 pub: Intellect Ltd. artinfo: ui: 190994179 10.1386/rjao_00121_1 ppf: 161 ppct: 15 formats: fmt: – @attributes: type: T – @attributes: type: P size: 144KB tig: atl: Why don't more journalists and documentary makers use spatial audio? Barriers to sonic experimentation in contemporary radio and podcast production cultures. aug: au: Wincott, Abigail affil: Falmouth University su: Sociocultural factors Journalism Podcasting Narration Documentary films Sound art Soundscapes (Auditory environment) sug: subj: Sociocultural factors Journalism Internet Publishing and Broadcasting and Web Search Portals Podcasting Narration Documentary films Sound art Soundscapes (Auditory environment) keyword: 3D sound binaural documentary immersive journalism professional cultures 3D sound binaural documentary immersive journalism professional cultures ab: There has certainly been a revival of interest in what is known variously as spatial, immersive or three-dimensional sound in radio and podcasting in recent years. It has been used in news, documentaries, investigative series and audio dramas. But this article turns instead to its relative lack of use. Focusing on factual programmes and based on research with programme-makers from several countries over five years, I analyse the reasons they give for not using spatial sound as often as they want and identify significant underlying cultural patterns that constitute wider cultural problems in the radio and podcast sector. These threaten to undermine the growth and development of narrative audio more generally. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: N holdings: @attributes: islocal: N |
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