'To Know How It Ends/And Still Begin to Sing It Again': Anaïs Mitchell's Hadestown, the Climate Crisis, and Recursive Ecodramaturgies.
Hadestown is a musical play that is preoccupied with the importance of cycles, both in life and in art. That characteristic is evident musically, theatrically, thematically and dramaturgically – as is shown in such examples as the repetition of musical motifs and lyrical phrases in the score, the us...
| Publicado en: | Green Letters Vol. 29; no. 3; pp. 294 - 307 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
Aug2025
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| Acceso en línea: | Ver este registro en EBSCOhost |