OF TECHNOLOGY, YEATS AND AUTOMATIC WRITING: MANAGING CULTURAL IDENTITIES IN THE AGE OF AI ETHICS AND BEYOND.
Pondering about the esoteric system of A Vision, the result of countless revisions of a suspicious, yet irresistibly seductive automatic text, Yeats, half despairing, half enthralled, finally concludes that the whole experience affirms "that all the gains of man come from conflict with the opposite...
| Publicado en: | Litteraria Pragensia: Studies in Literature & Culture Vol. 35; no. 70; pp. 187 - 208 |
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| Formato: | Artículo |
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Charles University Prague, Faculty of Arts
2025
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=191617564&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 191617564 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 08628424 IHH jtl: Litteraria Pragensia: Studies in Literature & Culture issn: 08628424 maglogo: N pubinfo: dt: 2025 vid: 35 iid: 70 pid: 88155 pub: Charles University Prague, Faculty of Arts artinfo: ui: 191617564 10.14712/2571452X.2025.70.12 ppf: 187 ppct: 21 formats: fmt: @attributes: type: P size: 7.2MB tig: atl: OF TECHNOLOGY, YEATS AND AUTOMATIC WRITING: MANAGING CULTURAL IDENTITIES IN THE AGE OF AI ETHICS AND BEYOND. aug: au: Štefl, Martin su: Cultural identity Artificial intelligence & ethics Social theory Authors Digital technology Social evolution Irish poetry Yeats, W. B. (William Butler), 1865-1939 Cultural relations sug: subj: Cultural identity Artificial intelligence & ethics Social theory Authors Digital technology Social evolution Irish poetry Yeats, W. B. (William Butler), 1865-1939 Cultural relations keyword: AI ethics culture intercultural communicative competence philosophy of technology W.B. Yeats ab: Pondering about the esoteric system of A Vision, the result of countless revisions of a suspicious, yet irresistibly seductive automatic text, Yeats, half despairing, half enthralled, finally concludes that the whole experience affirms "that all the gains of man come from conflict with the opposite of his true being." The opaqueness and blackbox-like quality of automatic writing, eerily akin to the experience of eliciting a meaningful AI-generated answer, reminds today's readers of the importance of a question-answer/prompt-response dialectic, so often neglected (especially by students) when faced with the seeming flawlessness and artifice of an AI-generated text. The responsibility to creatively engage with an otherwise ossified text further points towards a similar line of criticism aimed at various reifications and reductions of culture, which, in effect, mask the dynamic, performative character of cultural identities, e.g., by bracketing out an individual's creativity and responsibility when applying a positivistic, data-based cultural model. Departing from Yeats, a poet of multiple cultural allegiances, AI ethics, and philosophy of technology, this article aims to explore the mutually overlapping yet ever-conflicting ways in which cultural identities are produced in current intercultural theories, hoping to deconstruct currently dominant static models of culture in favour of a dynamic, critical approach to (re-)presenting cultures. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Litteraria Pragensia: Studies in Literature & Culture is the property of Charles University Prague, Faculty of Arts and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Litteraria Pragensia: Studies in Literature & Culture holder: Charles University Prague, Faculty of Arts dt: @attributes: year: 2025 holdings: @attributes: islocal: N |
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