Contemporary Collectives: Approaches to Latin American and Spanish Literature and Visual Culture.
Critical theory, literature, and the arts have rediscovered the collective, with varied and nuanced investigations into the difficult labor of coalescing. This special issue investigates how twenty-first century literature and the visual arts shape and theorize the collective from the vantage point...
| Publicado en: | Hispanic Review Vol. 94; no. 1; pp. 1 - 24 |
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| Formato: | Artículo |
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University of Pennsylvania Press
Winter2026
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=191660414&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 191660414 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 00182176 HIR jtl: Hispanic Review issn: 00182176 maglogo: N pubinfo: dt: Winter2026 vid: 94 iid: 1 pid: 4636 pub: University of Pennsylvania Press artinfo: ui: 191660414 10.1353/hir.2026.a982307 ppf: 1 ppct: 23 formats: fmt: – @attributes: type: T – @attributes: type: P size: 427KB tig: atl: Contemporary Collectives: Approaches to Latin American and Spanish Literature and Visual Culture. aug: au: Wells, Sarah Ann affil: University of Wisconsin, Madison su: Visual culture Spanish literature Latin American literature Collectives Cultural production sug: subj: Visual culture Spanish literature Latin American literature Collectives Cultural production keyword: 1983. Google Scholar Aesthetics Affect Assembly Collective Commons Feminism Framing General Intellect Grammar Labor Latin America Multitude Periodization Raymond.. Oxford UP Representation Sarah Ann Wells Social Movements Williams ab: Critical theory, literature, and the arts have rediscovered the collective, with varied and nuanced investigations into the difficult labor of coalescing. This special issue investigates how twenty-first century literature and the visual arts shape and theorize the collective from the vantage point of Latin America and Spain, both at the forefront of the recent global interest in collectivity. Beyond familiar proclamations of the impossibility of the collective, contributors investigate the rich terrain of its emergent and persistent forms, analyzing recent cultural production from Bolivia, Argentina, Brazil, Mexico, Cuba, Spain, and the Venezuelan diaspora. This introduction posits central concepts for mapping collectivity today: periodization; overlapping terms like the commons; representation (swarm; multitude); space (frame; assembly); the first-person plural and the general intellect; an expanded understanding of affect; methods for approaching an elusive present. Engaging the nine contributions, it demonstrates how the aesthetic affords unique reflections on collectivity and its discontents. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Hispanic Review is the property of University of Pennsylvania Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Hispanic Review holder: University of Pennsylvania Press dt: @attributes: year: 2026 holdings: @attributes: islocal: N |
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