A flagrant lack of common decency or literary truth? Authorial ethos in Katarina Frostenson's later works.

This article examines authorial ethos in Swedish poet Katarina Frostenson's literary response to the crisis in the Swedish Academy 2017–2018, marked by allegations of misconduct and by institutional upheaval. Through a textual analysis of Frostenson's quartet K (2019), F – en färd (2020, "F – a jour...

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Publicado en:Frontiers of Narrative Studies Vol. 11; no. 2; pp. 297 - 312
Autor principal: Lahdenperä, Hanna
Formato: Literary Criticism
Publicado: De Gruyter Oct2025
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Acceso en línea:Ver este registro en EBSCOhost
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        atl: A flagrant lack of common decency or literary truth? Authorial ethos in Katarina Frostenson's later works.
      aug:
        au: Lahdenperä, Hanna
        affil: University of Helsinki, Helsinki, Finland
      su:
        Cultural capital
        Intertextuality
        Criticism
        Literary criticism
        Bourdieu, Pierre, 1930-2002
        Narration
        Literary characters
        Poets
      sug:
        subj:
          Cultural capital
          Intertextuality
          Criticism
          Literary criticism
          Bourdieu, Pierre, 1930-2002
          Narration
          Literary characters
          Poets
      keyword:
        cultural capital
        ethos
        Katarina Frostenson
        literary sociology
        the Swedish Academy
      ab: This article examines authorial ethos in Swedish poet Katarina Frostenson's literary response to the crisis in the Swedish Academy 2017–2018, marked by allegations of misconduct and by institutional upheaval. Through a textual analysis of Frostenson's quartet K (2019), F – en färd (2020, "F – a journey"), A. Andra tankar (2021, "A. Other thoughts"), and Alma (2023), the article traces how these works constitute a literary scandal in its own right through their presentation of a counternarrative. Drawing on Pierre Bourdieu's theory of the literary field and Liesbeth Korthals Altes' work on ethos, the analysis demonstrates how Frostenson's established cultural capital becomes both a resource and a liability. The article identifies three key narrative strategies: discursive reframing, extensive intertextuality that reinforces symbolic capital, and oblique invocations of political persecution. These strategies reveal the tension between Frostenson's prior literary authority and the ethos-building in the works at hand. The Swedish Academy's traditional role as cultural arbiter becomes a site of disruption of Frostenson's authorial ethos.
      pubtype: Academic Journal
      doctype: Literary Criticism
      src: R
    language: English
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