Book Reviews.
This book examines the relationship between opera and British print culture during the long nineteenth century, focusing on how print media such as playbills, newspapers, periodicals, and published scores shaped operatic production, reception, and celebrity culture in Britain. It explores key themes...
| Publicado en: | Victorian Studies Vol. 67; no. 4; pp. 632 - 635 |
|---|---|
| Autor principal: | |
| Formato: | Artículo |
| Publicado: |
Indiana University Press
Summer2025
|
| Materias: | |
| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=191766454&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 191766454 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 00425222 VCS jtl: Victorian Studies issn: 00425222 maglogo: N pubinfo: dt: Summer2025 vid: 67 iid: 4 pid: 211 pub: Indiana University Press artinfo: ui: 191766454 10.2979/vic.00331 ppf: 632 ppct: 3 formats: fmt: – @attributes: type: T – @attributes: type: P size: 118KB tig: atl: Book Reviews. aug: au: Dibble, Jeremy affil: Durham University su: Opera Print culture National character Opera performances Nineteenth century Publishing Celebrities United Kingdom British Isles sug: subj: United Kingdom British Isles Opera Print culture National character Opera performances Nineteenth century Publishing Celebrities ab: This book examines the relationship between opera and British print culture during the long nineteenth century, focusing on how print media such as playbills, newspapers, periodicals, and published scores shaped operatic production, reception, and celebrity culture in Britain. It explores key themes including the commercial and managerial aspects of opera, the construction of public personas of performers, and the complex issues of national identity in opera across Britain, Scotland, and Ireland. The collection also addresses the influence of Wagnerian music on British musical taste and the interplay between opera and literature, highlighting how print culture mediated these connections. While the essays vary in focus, the volume offers valuable insights and resources for scholars researching nineteenth-century British opera and its cultural contexts. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Victorian Studies is the property of Indiana University Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Victorian Studies holder: Indiana University Press dt: @attributes: year: 2025 holdings: @attributes: islocal: N |
|---|