Lost places: mental images as an expanded form of visuality in Chile's popular revolt.
The idea that images can be understood beyond the purely visual has received limited attention, particularly in protest studies, where events are often examined through performative and media-centred frameworks. However, some scholars argue that images can also emerge from lived experience in non-ma...
| Publicado en: | Visual Studies Vol. 41; no. 1; pp. 308 - 319 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
Feb2026
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=ssf&AN=191834246&site=ehost-live header: @attributes: shortDbName: ssf uiTerm: 191834246 longDbName: Social Sciences Full Text (H.W. Wilson) uiTag: AN controlInfo: bkinfo: jinfo: jid: 1472586X J6I jtl: Visual Studies issn: 1472586X maglogo: N pubinfo: dt: Feb2026 vid: 41 iid: 1 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 191834246 10.1080/1472586X.2025.2537735 ppf: 308 ppct: 11 formats: tig: atl: Lost places: mental images as an expanded form of visuality in Chile's popular revolt. aug: au: Gamboa-Morales, Dahiana affil: Universitat Autònoma de Barcelona, Spain su: Chile Mental imagery Public demonstrations Urban renewal Collective memory sug: subj: Mental imagery Public demonstrations Urban renewal Collective memory Chile ab: The idea that images can be understood beyond the purely visual has received limited attention, particularly in protest studies, where events are often examined through performative and media-centred frameworks. However, some scholars argue that images can also emerge from lived experience in non-material forms. Rather than viewing them as internal responses to sensory input, this study conceptualises images as symbolic, emotional, and narrative constructions rooted in memory and embodied perception ([Belting, H. 2007. Antropología de la imagen. Buenos Aires: Katz; Tisseron, S. 2000. El Misterio de la cámara lúcida : fotografía e inconsciente [The mystery of the Camera Lucida: Photography and the unconscious]. Salamanca: Universidad de Salamanca]). Focusing on participants' experiences during Chile's 2019 Popular Revolt, the article explores how certain episodes in Valparaíso are recalled and described as 'lost places', drawing on Hans Belting's notion. Using a qualitative methodology – including life histories, focus groups, cartographies, field notes, and walking interviews – the study identifies several types of mental images shaped by memory, affect, and spatial experience. These include engagements with photography, digital interaction, historical memory, urban transformation, bodily awareness, the surreal nature of the events, and even the absence of imagery itself. The findings suggest that such images operate as a form of visibility grounded in consciousness and subjectivity, offering new insight into how people process and inhabit sociopolitical experience. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: N holdings: @attributes: islocal: N |
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