Listening With and From Caribbean Bodies / Escuchar con y desde cuerpos caribeños (Roundtable Transcript).
This article centers on a 2024 roundtable titled "Listening With and From Caribbean Bodies / Escuchar con y desde cuerpos caribeños," convened by the Society for Ethnomusicology’s Latin America and Caribbean section (LACSEM) to explore listening as a method, metaphor, and practice in Caribbean ethno...
| Publicado en: | American Music Vol. 42; no. 4; pp. 503 - 526 |
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| Autores principales: | , , , , , |
| Formato: | Artículo |
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University of Illinois Press
Winter2024
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=192017562&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 192017562 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 07344392 AMU jtl: American Music issn: 07344392 maglogo: N pubinfo: dt: Winter2024 vid: 42 iid: 4 pid: 416 pub: University of Illinois Press artinfo: ui: 192017562 10.5406/19452349.42.4.05 ppf: 503 ppct: 23 formats: tig: atl: Listening With and From Caribbean Bodies / Escuchar con y desde cuerpos caribeños (Roundtable Transcript). aug: au: Baker, Jessica Swanston Aarons, David Charlemagne, Danielle Cyrille, Dominique Granger, Charissa Samad, Sean su: Ethnomusicology Caribbean literature Group identity Collective memory Protest songs Decolonization Caribbean sug: subj: Caribbean Ethnomusicology Caribbean literature Group identity Collective memory Protest songs Decolonization ab: This article centers on a 2024 roundtable titled "Listening With and From Caribbean Bodies / Escuchar con y desde cuerpos caribeños," convened by the Society for Ethnomusicology’s Latin America and Caribbean section (LACSEM) to explore listening as a method, metaphor, and practice in Caribbean ethnomusicology. The panel brought together Caribbean-based scholars and diaspora representatives to discuss how listening shapes Caribbean music scholarship, emphasizing decolonial, archipelagic, and embodied approaches that challenge dominant, often Anglophone- and US-centric narratives. Through detailed engagements with calypso, soca, bouladjel, and other regional musics, participants highlighted listening’s role in cultural memory, political critique, community building, and identity formation across linguistic and geographic divides. The transcript and reflections underscore listening as a communal, iterative, and affective practice that reveals the complex sonic ties uniting the Caribbean archipelago beyond colonial and national boundaries. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y dt: @attributes: year: 2024 holdings: @attributes: islocal: N |
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