»China frisst Menschen« Dadaistische Ästhetik und Kolonialismuskritik bei Richard Huelsenbeck.

Richard Huelsenbeck’s 1930 novel China frisst Menschen (China devours People) combines travelogue, avant-garde formal experimentation, and anti-colonial reflection into a text that resists conventional genre classifications. This article shows how Huelsenbeck employs aesthetic strategies to destabil...

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Publicado en:	Kulturwissenschaftliche Zeitschrift (KWZ) no. 4; pp. 97 - 120
Autor principal:	Lü, Yixu
Formato:	Artículo
Publicado:	Felix Meiner Verlag GmbH 2025
Materias:	Dadaism Imperialism Authorship Epistemics Experimental literature Travel literature German literature
Acceso en línea:	Ver este registro en EBSCOhost