Durerea stănesciană.
Suffering is a central dimension of Nichita Stănescu's poetry, beyond playfulness and vitalism. It appears in various forms--sadness, disappointment, anger--and acquires an ontological and philosophical status. The concept of "non-words" (necuvinte) expresses the inadequacy of language to convey the...
| Publicado en: | Communication Interculturelle et Littérature / Comunicare Interculturală şi Literatură no. 1; pp. 1 - 8 |
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| Formato: | Artículo |
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Comunicare Interculturala si Literatura
2025
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=192271241&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 192271241 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 18446965 GRFF jtl: Communication Interculturelle et Littérature / Comunicare Interculturală şi Literatură issn: 18446965 maglogo: N pubinfo: dt: 2025 iid: 1 pid: 91251 pub: Comunicare Interculturala si Literatura artinfo: ui: 192271241 ppf: 1 ppct: 7 formats: fmt: @attributes: type: P size: 554KB tig: atl: Durerea stănesciană. aug: au: Gabriel, Preda affil: Liceul Teoretic „Sfânta Maria“ Galați su: Suffering Existentialism Autumn Poets Modern philosophy Emotions Poetry (Literary form) sug: subj: Suffering Existentialism Autumn Poets Modern philosophy Emotions Poetry (Literary form) keyword: human being knowledge pain philosophy poetry suffering ab: Suffering is a central dimension of Nichita Stănescu's poetry, beyond playfulness and vitalism. It appears in various forms--sadness, disappointment, anger--and acquires an ontological and philosophical status. The concept of "non-words" (necuvinte) expresses the inadequacy of language to convey the essential and transforms poetry into an exploration of the ineffable. Love is simultaneously a source of fulfillment and suffering, while autumn becomes a symbol of inner decline. In Elegies, pain is not lamentation but a path toward knowledge and existential lucidity. The poet embraces fragility as a revelatory means. Blue becomes a metaphysical symbol of dematerialization, pain, and infinity. By comparison, Eminescu expresses the pain of the idealist, Bacovia that of alienation, and Stănescu that of the seeker of meaning. Stănescu's pain is living, intellectual, and transfiguring. It enters into a European dialogue, becoming a form of knowledge and creation. pubtype: Academic Journal doctype: Article src: R language: Romanian refInfo: copyright: @attributes: flag: Y custom: Copyright of Communication Interculturelle et Littérature / Comunicare Interculturală şi Literatură is the property of Comunicare Interculturala si Literatura and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Communication Interculturelle et Littérature / Comunicare Interculturală şi Literatură holder: Comunicare Interculturala si Literatura dt: @attributes: year: 2025 holdings: @attributes: islocal: N |
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