Time of Diaspora in Kaie Kellough's Dominoes at the Crossroads.

This article deals with the discontinuous nature of time in Kaie Kellough's representation of the Black diaspora in his short story collection, Dominoes at the Crossroads. Focusing primarily on the stories "Petit Marronage," "Dominoes at the Crossroads," and "We Free Kings," the article seeks to acc...

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Publicado en:University of Toronto Quarterly Vol. 95; no. 1; pp. 1 - 24
Autor principal: Régnier, Alain
Formato: Short Story Review
Publicado: University of Toronto Press Feb2026
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Acceso en línea:Ver este registro en EBSCOhost
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        atl: Time of Diaspora in Kaie Kellough's Dominoes at the Crossroads.
      aug:
        au: Régnier, Alain
        affil: Université de Sherbrooke, Sherbrooke, Quebec, Canada
      su:
        Diaspora
        Kellough, Kaie
        Dominoes at the crossroads (Short story)
        Slavery
        Imperialism
        Glissant, Édouard, 1928-2011
        20th century (Literary period)
      sug:
        subj:
          Diaspora
          Kellough, Kaie
          Dominoes at the crossroads (Short story)
          Slavery
          Imperialism
          Glissant, Édouard, 1928-2011
          20th century (Literary period)
      keyword:
        Black diaspora
        class
        histories of slavery and colonialism
        sexuality
        temporality
      ab: This article deals with the discontinuous nature of time in Kaie Kellough's representation of the Black diaspora in his short story collection, Dominoes at the Crossroads. Focusing primarily on the stories "Petit Marronage," "Dominoes at the Crossroads," and "We Free Kings," the article seeks to account for the temporality of the diaspora put forth by Kellough in the collection, experienced as a simultaneity of past, present, and future time. Characters are shown to be affected in various ways by the history of slavery and colonialism in their present-day lives and in the envisioning of a future world. The article draws on the foundational work of Stuart Hall, Paul Gilroy, and Édouard Glissant in its conceptualization of diaspora and the consciousness of diaspora, with added attention being given to how class and sexuality contribute to a differentiated experience of diaspora.
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