SINGING AND NOT SINGING: THE CURIOUS CASE OF FROST'S OVEN BIRD.

The article analyzes Robert Frost’s poem “The Oven Bird,” focusing on the paradoxical line where the bird “knows in singing not to sing.” It argues that Frost employs the rhetorical figure antanaclasis, using the verb “to sing” in different senses: the bird sings musically but does not sing to celeb...

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Publicado en:Renascence Vol. 78; no. 1; pp. 19 - 32
Autor principal: Davis, Matthew M.
Formato: Literary Criticism
Publicado: Marquette University Winter2026
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Acceso en línea:Ver este registro en EBSCOhost
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        au: Davis, Matthew M.
        affil: Northwestern University
      su:
        Frost, Robert, 1874-1963
        Symbolism
        Polysemy
        Poetry studies
        Poetry (Literary form)
        Modern poetry
        Poets
        Expressive behavior
        20th century (Literary period)
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        subj:
          Frost, Robert, 1874-1963
          Symbolism
          Polysemy
          Poetry studies
          Poetry (Literary form)
          Modern poetry
          Poets
          Expressive behavior
          20th century (Literary period)
      ab: The article analyzes Robert Frost’s poem “The Oven Bird,” focusing on the paradoxical line where the bird “knows in singing not to sing.” It argues that Frost employs the rhetorical figure antanaclasis, using the verb “to sing” in different senses: the bird sings musically but does not sing to celebrate, instead singing to state facts and pose questions about a diminished natural world. This distinguishes Frost’s oven bird from traditional poetic songbirds that sing only to celebrate, suggesting a modern poetic voice capable of lyrical expression without joyous celebration. The oven bird thus symbolizes a poet who continues to create meaningful poetry amid decline or loss, expanding the poetic register beyond celebration to include statement and inquiry.
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    language: English
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