Misreading the Rūḥ: Taha Abderrahmane, Enrique Dussel and the ethics of decolonial modernities.

This article explores the contrasting perspectives of Moroccan philosopher Taha Abderrahmane and Latin American thinker Enrique Dussel on the question of multiple modernities within South–South intellectual dialogue. While Dussel, grounded in the philosophy of liberation, critiques modernity as an i...

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Publicado en:Postcolonial Studies Vol. 28; no. 2; pp. 132 - 156
Autor principal: Guennouni Idrissi, Achraf
Formato: Artículo
Publicado: Taylor & Francis Ltd Jun2025
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Acceso en línea:Ver este registro en EBSCOhost
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        atl: Misreading the Rūḥ: Taha Abderrahmane, Enrique Dussel and the ethics of decolonial modernities.
      aug:
        au: Guennouni Idrissi, Achraf
        affil: College of Arts, Education and Social Sciences, Abu Dhabi University, Abu Dhabi, UAE
      su:
        Eurocentrism
        Islamic ethics
        Values (Ethics)
        Philosophers
        Decolonization
      sug:
        subj:
          Eurocentrism
          Islamic ethics
          Values (Ethics)
          Philosophers
          Decolonization
      keyword:
        Enrique Dussel
        Islamic decoloniality
        modernity
        philosophy of liberation
        Taha Abderrahmane
      ab: This article explores the contrasting perspectives of Moroccan philosopher Taha Abderrahmane and Latin American thinker Enrique Dussel on the question of multiple modernities within South–South intellectual dialogue. While Dussel, grounded in the philosophy of liberation, critiques modernity as an inherently Eurocentric and colonial construct – arguing that its universalization inevitably reproduces colonial logics – Taha offers a distinctive ethical reimagining of modernity. He differentiates between the universal spirit (rūḥ) of modernity, embodied in principles, such as intellectual maturity (rushd), critique (naqd) and universality (shumūl) and its historically contingent Western expressions. Against mimicry and secular developmentalism, Taha calls for a creative engagement (ibdāʿ) with the Islamic tradition (turāth) to cultivate a spiritually grounded, ethically transformative and non-imitative modernity. This article argues that while Dussel's critique remains incisive, it ultimately misreads Taha's project as abstract universalism, thereby overlooking its decolonial logic and ethical specificity. By redefining modernity through al-ibdāʿ al-mawṣūl (connected creativity), Taha confronts Eurocentric dominance and unsettles the very anti-universalist premises on which Dussel's pluriversal framework rests. His vision gestures towards a temporally decolonized modernity rooted in ethical universality and pluriversal coexistence.
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    language: English
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