Narrating and "Voicing" the Animal: An Analysis of Focalization and Nonfocalized Animal Characters in Horacio Quiroga's "Anaconda" (1921).

This article combines theories of narratology, fauna-criticism, and animal studies to analyze focalization and the nonfocalized animal characters in Horacio Quiroga's "Anaconda." While scholars have conducted ecocritical readings of "Anaconda" centered on the focalized serpent protagonists, the nonf...

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Publicado en:Hispanic Review Vol. 94; no. 2; pp. 273 - 291
Autor principal: Register, Caro
Formato: Artículo
Publicado: University of Pennsylvania Press Spring2026
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Acceso en línea:Ver este registro en EBSCOhost
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        atl: Narrating and "Voicing" the Animal: An Analysis of Focalization and Nonfocalized Animal Characters in Horacio Quiroga's "Anaconda" (1921).
      aug:
        au: Register, Caro
        affil: University of North Carolina at Chapel Hill
      su:
        Anaconda (Book)
        Quiroga, Horacio, 1878-1937
        Ecocriticism
        Narratology
        Animal experimentation
        Protagonists (Persons)
        Environmental degradation
        20th century (Literary period)
      sug:
        subj:
          Anaconda (Book)
          Quiroga, Horacio, 1878-1937
          Ecocriticism
          Narratology
          Animal experimentation
          Protagonists (Persons)
          Environmental degradation
          20th century (Literary period)
      keyword:
        ANACONDA
        ANIMAL AGENCY
        ANIMAL STUDIES
        ANIMAL VOICE
        CARO REGISTER
        ECOCRITICISM
        FAUNA-CRITICISM
        HORACIO QUIROGA
        NARRATOLOGY
        NOVELA DE LA SELVA
        SOUTHERN CONE
        TWENTIETH CENTURY
      ab: This article combines theories of narratology, fauna-criticism, and animal studies to analyze focalization and the nonfocalized animal characters in Horacio Quiroga's "Anaconda." While scholars have conducted ecocritical readings of "Anaconda" centered on the focalized serpent protagonists, the nonfocalized horses, dog, and mule receive little critical attention. Furthermore, these critics only superficially incorporate concepts of animal narration, voice, and agency, which provoke debate within animal studies today. I update this existing scholarship by examining Quiroga's use of la voz animal as a narratological tool and by centering the nonfocalized characters of his story. Expanding on Scott Devries's "fauna-critical" approach to Quiroga, I argue that analyzing the nonfocalized characters reveals Quiroga's environmental critique to be more complex than originally conceived. Although "Anaconda " indeed reckons with the role of modernization in perpetuating environmental destruction, it also demonstrates an acute awareness of the complicated paradigms of domestication and the harmful practices of animal testing.
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    language: English
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