"The Bard Wouldn't Recognize Hamlet": On Medium Specificity and Shakespeare in Africa.
This article examines the transmedia history and postcolonial significance of *Hamile: The Tongo Hamlet* (1965), a Ghanaian adaptation of Shakespeare’s *Hamlet*, situating it within broader debates on media theory, coloniality, and African cultural production. It explores how *Hamile*—produced by th...
| Publicado en: | Discourse: Journal for Theoretical Studies in Media & Culture Vol. 47; no. 1; pp. 135 - 165 |
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| Formato: | Artículo |
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Wayne State University Press
Winter2025
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| Acceso en línea: | Ver este registro en EBSCOhost |