Queer Ahasver? The "Wandering Jew" in Early German Queer Magazine Culture (1896-1933).

This paper examines the ways in which the figure of Ahasver, the so-called "Wandering Jew," was utilized by the early German queer magazine culture (1896-1933), with particular attention to literary texts that explore homosocial and homosexual desire between men. Ahasver is an ambivalent figure, wit...

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Bibliographic Details
Published in:Shofar: An Interdisciplinary Journal of Jewish Studies Vol. 43; no. 3; pp. 70 - 95
Main Author: Hellmann, Liesa
Format: Literary Criticism
Published: Purdue University Press 2025
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Online Access:View this record in EBSCOhost
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Summary:This paper examines the ways in which the figure of Ahasver, the so-called "Wandering Jew," was utilized by the early German queer magazine culture (1896-1933), with particular attention to literary texts that explore homosocial and homosexual desire between men. Ahasver is an ambivalent figure, with cultural connotations shaped and reshaped over centuries. Coined a "thoroughly un-Jewish figure" by Hans Mayer, he has been employed as an antisemitic projection figure and a personification of the Jewish people, as well as a symbol for resilience, rebellion, or particularity. Against the backdrop of the key topics in the queer magazines' literary texts--conceptualizing nonheteronormative sexuality, affirming male homosocial and homosexual desire, imagining communities and gay genealogies--the figure of Ahasver is employed in a variety of ways that draw from but cannot be subsumed under any of the aforementioned configurations. While he is an overdetermined figure, Ahasver is defined by three main characteristics: immortality, boundless mobility, and solitude. Drawing on queer kinship theory and analyzing three literary texts from one of the leading queer magazines of the Weimar Republic, this article examines Ahasver as a figuration of kinship rupture and social isolation and traces how the figure challenges the imagined union of community, nationality, and statehood.