The Compositional Process in Diaries: On the Notes in György Kurtág's Sketches.
This paper is focused on a specific feature of György Kurtág's sketches, namely the textual notes that accompany musical sketches, ideas and memos. The study describes the types of these textual notes and tries to shed light on the psychological functions of these notes during the compositional proc...
| Publicado en: | Contemporary Music Review Vol. 44; no. 1/2; pp. 55 - 72 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
Mar-Jun2025
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=193276748&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 193276748 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 07494467 7VR jtl: Contemporary Music Review issn: 07494467 maglogo: N pubinfo: dt: Mar-Jun2025 vid: 44 iid: 1/2 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 193276748 10.1080/07494467.2025.2606608 ppf: 55 ppct: 17 formats: fmt: – @attributes: type: T – @attributes: type: P size: 1.1MB tig: atl: The Compositional Process in Diaries: On the Notes in György Kurtág's Sketches. aug: au: Dalos, Anna affil: Institute for Musicology ELTE-RCH, Research Centre for the Humanities, Budapest, Hungary su: Annotations Kurtág, György, 1926- Artistic creation Cognition Composers Musical form Intertextuality sug: subj: Annotations Kurtág, György, 1926- Artistic creation Cognition Composers Musical form Intertextuality keyword: compositional method György Kurtág philology Sigmund Freud sketches ab: This paper is focused on a specific feature of György Kurtág's sketches, namely the textual notes that accompany musical sketches, ideas and memos. The study describes the types of these textual notes and tries to shed light on the psychological functions of these notes during the compositional process. I also seek to explore the role of these notes in shaping the musical form in the planned works. These notes portray Kurtág as a self-critical composer at odds with himself, but who resolves the difficulties he encounters while composing with humour. I argue that these note functions as a diary. The textual notes also document the conscious use of quotations, self-quotations and allusions so typical to the intertextual art of György Kurtág's music. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Contemporary Music Review is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Contemporary Music Review holder: Taylor & Francis Ltd dt: @attributes: year: 2025 holdings: @attributes: islocal: N |
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