Fin de partie: Making a Song and Dance About it.
Reviews and articles have generally approached Kurtág's opera by way of the Beckett play on which it draws, a natural consequence of the composer's openly stated admiration for Beckett, and for this play in particular, going back to his attendance at the first production when he was in Paris in 1957...
| Publicado en: | Contemporary Music Review Vol. 44; no. 1/2; pp. 82 - 98 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
Mar-Jun2025
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| Acceso en línea: | Ver este registro en EBSCOhost |