Interactive aspects of subject and gesture in Beckett's trilogy.
Subject and gesture are concepts that are in an interactive and corresponding relationship with each other. In literary discourse, the subject is transformed by the effect of the gesture, and the gesture plays a role in reproducing the identity of the subject. The problem of this research is the eff...
| Publicado en: | Research in Contemporary World Literature Vol. 30; no. 2; pp. 511 - 542 |
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| Autores principales: | , , |
| Formato: | Artículo |
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University of Tehran
2025
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=193821587&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 193821587 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 25884131 K575 jtl: Research in Contemporary World Literature issn: 25884131 maglogo: N pubinfo: dt: 2025 vid: 30 iid: 2 pid: 47387 pub: University of Tehran artinfo: ui: 193821587 10.22059/jor.2024.384214.2579 ppf: 511 ppct: 31 formats: tig: atl: Interactive aspects of subject and gesture in Beckett's trilogy. aug: au: Safikhani, Akram Kanani, Ebrahim Vahdanifar, Omid affil: Department of Persian Language and Literature, Department Faculty of Humanities, Kosar University of Bojnord, Bojnord, Iran Department of Persian Language and Literature, Department Faculty of Humanities, University of Bojnord, Bojnord, Iran su: Gesture Subjectivity Discourse Literature Beckett, Samuel, 1906-1989 Identity (Psychology) Dramatists sug: subj: Gesture Subjectivity Discourse Literature Beckett, Samuel, 1906-1989 Identity (Psychology) Dramatists keyword: Beckett's trilogy becoming a subject declining subject subject ab: Subject and gesture are concepts that are in an interactive and corresponding relationship with each other. In literary discourse, the subject is transformed by the effect of the gesture, and the gesture plays a role in reproducing the identity of the subject. The problem of this research is the effect of the gesture on the subject and the expression of its mechanisms. One of the effects of the effect of the subject on the gesture can be found in the works of Samuel Beckett. Beckett's type of thinking transformed the literary and intellectual structures of the 20th century, and from this point of view, the interactive aspects of these two concepts are very important in this structure. In this research, the interactive aspects of the subject and gesture in Beckett's trilogy are analyzed and the effect of the gesture on the decline of the subject is revealed. The metamorphosis of the subject refers to the concept that the lack of gesture makes Beckett's subjects faceless and degenerate, which even reach pre-subjectivity. To show this process, the movement of the subject in Beckett is represented in three areas: pre-decline, decline and post-decline. In this process, Beckett's subject refuses to conform to the symbolic order and does not become a subject. The downward path of Beckett's figure, by going to the field of nothing, removes the body and gives her a static body and a restless mind. Therefore, the body of the subject (figure) becomes a collapsed, disintegrated and mass-like body. pubtype: Academic Journal doctype: Article src: R language: Persian refInfo: copyright: @attributes: flag: Y dt: @attributes: year: 2025 holdings: @attributes: islocal: N |
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